Jonathan Rosenbaum @jrosenbaum2002
writer and film critic jonathanrosenbaum.net Chicago Joined August 2012-
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find your own way hom.. @lenziphile
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When Harry Langdon and Al Jolson have their rhyming debate in this movie, it's the closest an old-school Hollywood musical ever comes to being Marat/Sade.
@MaryLTrump @CalltoActivism Like this post if you agree
Saw the signatories and, for some, thought, Et tu? I'm appalled by the bad-faith distortions of Jonathan Glazer's remarks; he doesn't reject Judaism; he doesn't equate massacres in Gaza and in Israel with the Holocaust but finds them all rooted in dehumanization—and he's right...
@BurtonDiaries I'm always mildly puzzled/amused by all the film writers who respect Burton as an actor, but not Taylor. Burton certainly respected the hell out of her and admitted she knew things about acting for the camera that he did not.
How films enrich one's life... how they ruin it – It's the story of Celluloid Underground, premiering at @BFI London Film Festival. Now we have a trailer for it:
This has been a challenging task & took years to realise but I'm glad to announce the forthcoming @MuseumModernArt focus on Iranian pre-revolutionary cinema (1925-79), a mammoth 70+ retrospective (first part only!), feat. rare prints & new restorations. moma.org/calendar/film/…
This was also Pauline Kael's play back in the day. And now we live under a tyranny of "fun."
If in Bologna a day early for Il Cinema Ritrovato, on June 23 we'll screen 5 films for free. One of the highlights is a doc about Rouben Mamoulian by André Labarthe, made from a 1965 interview footage first thought to be lost & now retrieved. notesoncinematograph.blogspot.com/2023/05/Lost-F…
Something I rewatched in order to write about it again, The Plot Against Harry; before, I marvelled at its surfaces; now, I was amazed by its depths.
what is your #1 relevatory rewatch of 2023 so far?
All About Eve (on @tcm at 8 p.m) and Limelight, the two great movies about theatre that are also the great there-but-for-the-grace-of-God movies in gratitude for cinema: newyorker.com/culture/richar…
The categories are misconceived, the adjectives are distortions, the first-person plural is demagogy.
Who at some point hasn’t set out dutifully for that fine foreign film and then ducked into the nearest piece of American trash? We’re not only educated people of taste, we’re also common people with common feelings. And our common feelings are not all bad. (1969)
Zaporizhzhia. Right now, residential areas where ordinary people and children live are being fired at. This must not become "just another day" in 🇺🇦 or anywhere else in the world. The world needs greater unity and determination to defeat Russian terror faster and protect lives.
@JaeloParedes @jrosenbaum2002 You can find similar thoughts in The Photogenic Element, which for once is even available for free, here. degruyter.com/document/doi/1… "In this unreality, validated by emotion, authenticity is absurd and universal" and so on
@jrosenbaum2002 "Wild River' is Kazan's best film. Why arguably? I mean I've convinced few people arguing over aesthetic preferences. I can only point out inconsistencies in their beliefs about what they appreciate, and they mine. The best film critics are masters of seduction, not logicians.
@jrosenbaum2002 Apologies, I meant no disrespect toward your piece on The Cradle Will Rock, which is excellent.
Like with most of Rosenbaum’s wide-ranging lists, this is one of the best lists of this century
Is the festival thing where people take out a stopwatch to time the length of the standing ovation getting sillier, or is it just me? We all know it's a fickle indicator at best, right?
@jrosenbaum2002 hey just wanted to say I read your 1996 review of Dead Man in the Chicago Reader and thought it was fabulous, thanks for your work
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