Sight and Sound magazine @SightSoundmag
Established in 1932. Published by @BFI. Home of the once-a-decade Greatest Films of All Time poll. bfi.org.uk/sight-and-sound UK Joined July 2009-
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Pat Collins approaches John McGahern’s final novel about a couple’s return to rural Ireland with the attentive eye of a documentarian, encouraging viewers to adjust to a slower pace of life. Philip Concannon reviews That They May Face the Rising Sun. bfi.org.uk/sight-and-soun…
On Al Pacino’s birthday, we look back at Philip French’s exploration of the burgeoning cop movie sub-genre, from our Spring 1974 issue buff.ly/3s8NZ1U
Paola Cortellesi’s neorealist-styled debut – already a breakout hit in Italy – puts the spotlight on women’s post-war subjugation with a dark melodrama that’s full of formal playfulness. Kate Stables reviews There’s Still Tomorrow, in cinemas Friday. bfi.org.uk/sight-and-soun…
New documentary Fantastic Machine spans the birth of camera obscura to the invention of TikTok using a cursory approach that allows for little insight. @JordanCronk reviews. Out now. bfi.org.uk/sight-and-soun…
ON SALE NOW – Insights on and from Japanese auteur Hamaguchi Ryūsuke – Mica Levi on The Zone of Interest’s score – Víctor Erice on Close Your Eyes – News, reviews and much, much more… Order your copy now: buff.ly/4b7Ivph
Its schematics may be obvious, but Zoljargal Purevdash’s debut about a gifted teenager living in the impoverished yurt district of Mongolia’s capital shows great ambition and promise. Tom Charity reviews If Only I Could Hibernate, out now. buff.ly/4axOi7V
A gorgeous,complex film — Breillat in great form. On LAST SUMMER for @SightSoundmag bfi.org.uk/sight-and-soun…
Catherine Breillat’s latest plays with ideas of attraction, repulsion and self-delusion through Anne (Léa Drucker), a lawyer who finds herself inappropriately drawn to her teenage stepson. @ElaBittencourt reviews Last Summer, on BFI Player from 22 April. bfi.org.uk/sight-and-soun…
Daisy Ridley stars as an introverted Oregon officer worker who has elaborate visions of her own death in this slight but gentle story of a tentative search for human connection. @davidfabiankatz reviews Sometimes I Think About Dying, in cinemas tomorrow. bfi.org.uk/sight-and-soun…
From Brief Encounter (“harsh, cruel and lovely”) to Anatomy of a Fall (“gripping, sharply intelligent”), read Sight and Sound’s original verdict on 15 of Cannes Film Festival’s biggest prizewinners buff.ly/3P6qOMZ
“While The Harder They Fall was, structurally speaking, a largely conventional spaghetti western, The Book of Clarence takes an unruly approach to a decidedly unfashionable kind of film: the Biblical epic” @ArjSaj reviews The Book of Clarence. bfi.org.uk/sight-and-soun…
“Ford is a director with whom things are either right or wrong.” In our Autumn 1956 issue, Lindsay Anderson (#botd, and writing before he directed If.... and O Lucky Man!) was disappointed by John Ford’s now-classic western buff.ly/4aBjyD7
Two musicologists obsessed with sourcing field recordings of Irish folk ballads uncover the dark secrets of an ancient song in Paul Duane’s chaotic and original low-budget folk horror. @TheProfRog reviews All You Need is Death, in cinemas this Friday. buff.ly/4aBSUde
Its schematics may be obvious, but Zoljargal Purevdash’s debut about a gifted teenager living in the impoverished yurt district of Mongolia’s capital shows great ambition and promise. Tom Charity reviews If Only I Could Hibernate, in cinemas Friday. bfi.org.uk/sight-and-soun…
It’s pure fantasy for critics to call Shōgun the new Game of Thrones, but 3 Body Problem might just fit the bill, writes @Andr6wMale bfi.org.uk/sight-and-soun…
An idealistic maths teacher is pushed to the edge by an incident at her school in Ilker Çatak’s anxiety-inducing classroom thriller. @CateWheatley reviews The Teachers’ Lounge. bfi.org.uk/sight-and-soun…
Víctor Erice’s first feature in 30 years deals with the disappearance of a fictional actor who vanished during a film shoot, exploring themes of loss, grief and the exquisite power of cinema. @Leigh_Singer reviews Close Your Eyes, out now. bfi.org.uk/sight-and-soun…
Back to Black sets itself up as a celebration of Amy Winehouse’s genius, but falls short of the filmmaker’s aspirations to focus on the music. Rebecca Harrison reviews. bfi.org.uk/sight-and-soun…
NEW @SightSoundmag available at QFT bar 🫶
Asif Kapadia’s heartbreaking documentary about Amy Winehouse presents a complex picture of someone who is both more canny and more intimidated than we could ever have imagined. @filmnickjames spoke to the director for our July 2015 issue buff.ly/49xTLu7
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5K Followers 1K Following We support film culture & cinema workers in the South West, enabling more people to show, watch & make films where they are. For filmmaking, see @NETWORKfhsw 🎬THAT THEY MAY FACE THE RISING SUN is "a quietly captivating experience" Lovely words in @SightSoundmag ☀️ bfi.org.uk/sight-and-soun…
For our latest @SightSoundmag Top 100 conversation at The Reveal, we dig into Béla Tarr's Sátántangó, one of the most imposing (and immersive) films on the list. thereveal.substack.com/p/78-tie-satan…
ICYMI! @SightSoundmag allowed us to republish this 1986 article on THE CRAZY FAMILY. Tony Rayns' piece quotes the co-screenwriter and offers contemporary context - worth a read ahead of our 40th anniversary, 2K restoration Scottish premiere screening! makeitweird.co.uk/2024/04/20/ton…
"We wanted a film about the family that would be filled with fun and poison." THE CRAZY FAMILY co-writer Yoshinori Kobayashi, quoted in Tony Rayns' 1986 Monthly Film Bulletin article, which @SightSoundmag kindly allowed us to republish on our site 🥳 makeitweird.co.uk/2024/04/20/ton…
A gorgeous,complex film — Breillat in great form. On LAST SUMMER for @SightSoundmag bfi.org.uk/sight-and-soun…
My 2¢ (Canadian) about Civil War for @SightSoundmag: it's All About Eve meets White House Down, and all very Ballardian: bfi.org.uk/sight-and-soun…
"Paul Duane’s chaotic and original low-budget folk horror...a skewed, unnerving vision... much nastier than anything Nick Cave might have mined from the old murder ballads. Hallucinatory chaos ensues." @SightSoundmag on All You Need is Death. bfi.org.uk/sight-and-soun…
Pleased to rediscover this myself in this moment of Amy refocus. I truly admire the @asifkapadia film and see no point in a biopic.
Asif Kapadia’s heartbreaking documentary about Amy Winehouse presents a complex picture of someone who is both more canny and more intimidated than we could ever have imagined. @filmnickjames spoke to the director for our July 2015 issue buff.ly/49xTLu7
Brilliant interview this by @Geoff_Andrew
Read @Geoff_Andrew’s incisive interview with Víctor Erice in our new issue, out now Get your copy: shop.bfi.org.uk/sight-and-soun…
NEW @SightSoundmag available at QFT bar 🫶
There's a great movie released today @BFI and elsewhere: Close Your Eyes, the fourth feature( in 50 years!) by Spanish-Basque maestro Víctor Erice. Read about its fascinating genesis in @SightSoundmag
Read this article by Wes Anderson in Sight & Sound about a lesser known Bogdanovich film;SAINT JACK (1979)& needed to track it down.Produced by Roger Corman & exec producer Hugh Hefner. Shot on location in Singapore,Ben Gazzara is brilliant. Currently free on Plex @SightSoundmag
If you'd told the '90s student @WarwickFilmTV whose viewing was forever changed by Spirit of the Beehive there that, decades later, he'd review Víctor Erice's NEXT feature for @SightSoundmag, I don't think he'd have believed you. A genuine honour to write about this masterpiece.
“The unfussy elegance of Erice’s filmmaking remains as fresh and clear as ever.” @Leigh_Singer reviews Víctor Erice’s Close Your Eyes, in cinemas this Friday. bfi.org.uk/sight-and-soun…
excellent post just popped through the door. Afternoon reading sorted 👍 @SightSoundmag
The Maestro is speaking
Víctor Erice talks to @Geoff_Andrew about the genesis of Close Your Eyes, his first feature-length film for 30 years, the personal nature of his filmmaking and his refusal to compromise
NEW ISSUE ALERT Japanese auteur Hamaguchi Ryūsuke is our latest cover star for Evil Does Not Exist Find out what’s inside here and below: bfi.org.uk/sight-and-soun… Get your copy: shop.bfi.org.uk/sight-and-soun… Out Monday for subscribers
Hamaguchi Ryūsuke x Sight and Sound this month 👌👌👌
NEW ISSUE ALERT Japanese auteur Hamaguchi Ryūsuke is our latest cover star for Evil Does Not Exist Find out what’s inside here and below: bfi.org.uk/sight-and-soun… Get your copy: shop.bfi.org.uk/sight-and-soun… Out Monday for subscribers
I liked Arkasha Stevenson's THE FIRST OMEN - a pleasantly unpleasant surprise - and I hope she gets to make other, non-franchise horror movies sooner than later. bfi.org.uk/sight-and-soun…
At the age of 64, I seem to have risen a little in the world of popular film criticism, since I have just scored my second @SightSoundmag cover story in 6 months!! I’ve got 3,500 words on Ryusuke Hamaguchi in the new issue, it was great fun to write.
So happy that my conversation with Hamaguchi Ryūsuke and Ishibashi Eiko is in the gorgeous new issue of @SightSoundmag.
Director Hamaguchi Ryūsuke and composer Ishibashi Eiko discuss the art of the duet and explain how the film originated in a request to create images to accompany a piece of music. By @elazic