Senses of Cinema @SensesofCinema
An online film journal devoted to the serious and eclectic discussion of cinema. 📢 ISSUE 108 OUT NOW! Instagram | thesensesofcinema sensesofcinema.com International Joined July 2011-
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We're celebrating the launch of the new issue of @SensesofCinema next month, with a special screening of Ana Vaz's post-colonial, eco-critique of modern-day Brasilia, IT IS NIGHT IN AMERICA 🦉 📽️Screening 24 May at the ACMI cinemas. Book your tix: acmi.me/8q
Read our annotation by Seán Cubitt on OUR TIME WILL COME(2017) in @SensesofCinema: sensesofcinema.com/2024/cteq/our-…
Join us tonight @ACMI for the second night of our season Keep Rolling: Ann Hui's Counter-Cinema with two more of the director’s acclaimed features. 7pm A SIMPLE LIFE (2011) 9.10pm OUR TIME WILL COME (2017) Memberships: acmi.net.au/cteq
"I believe that the way we are looked at transforms us. ..." In Issue 108, @SavinaPetkova speaks with Catherine Breillat following the release of her film, Last Summer (2023) buff.ly/3Uo2rPr
"His characters are would-be revolutionaries, doomed youths, and indecisive figures paralyzed in the face of new political futures..." New to our Great Directors series in Issue 108, Ryan Akler-Bishop looks at the career of Bertrand Bonello. buff.ly/3VYOnNr
"Wenders extracts nothing short of the essence of life from repetition and difference..." @KoheiUsuda on Wim Wenders' PERFECT DAYS (2023). Read more in the report from the 36th Tokyo International Film Festival in Issue 108. buff.ly/4aMcfbc
@SensesofCinema Read our annotation by Adrian Danks on YACKETY YACK(1974) in @SensesofCinema: sensesofcinema.com/2024/cteq/yack…
'Man of the Cinema: A Tribute to John Flaus at 90', screening tonight!
'Man of the Cinema: A Tribute to John Flaus at 90', screening tonight!
This Wed 10 April at @ACMI we celebrate a true legend of local screen culture with 'Man of the Cinema: A Tribute to John Flaus at 90', screening key performances across three Melbourne-set films. With special introductions by the filmmakers. Memberships: acmi.net.au/cteq
Did you know that Senses of Cinema is on Patreon? Support independent film criticism, keeping us accessible to global audiences: patreon.com/sensesofcinema
In Issue 108, Hamed Sarrafi speaks with filmmaker Rodrigo Moreno, whose film Los delincuentes (The Delinquents) premiered in Un Certain Regard at Cannes in 2023. buff.ly/3TEIy55
Join us tomorrow night @ACMI for the opening night of In the Afterglow: The Mercurial Stardom of Gloria Grahame, highlighting the key roles of one of the most striking actors of 1940s and ‘50s Hollywood. 7pm: IN A LONLEY PLACE (1950) 8:50pm: THE BAD AND THE BEAUTIFUL (1952)
"Does protest work? Can cinema make a difference?" Read Neil Young's report on DOK Leipzig 2023 in Issue 108. buff.ly/3wY04JT
@iicmelb @ACMI Read our Annotation in @SensesofCinema on CAESAR MUST DIE (2012) by Faith Everard: sensesofcinema.com/2024/cteq/pira…
@iicmelb @ACMI Read our Annotation in @SensesofCinema on KAOS (1984) by Joseph Sgammato: sensesofcinema.com/2024/cteq/pira…
Our tribute to the Taviani Brothers' extraordinary legacy, presented in partnership with the @iicmelb, comes to a close Wed 13 Mar at @ACMI. 7pm: CAESAR MUST DIE (2012) 8:30pm: KAOS (1984), 35mm print Memberships: acmi.net.au/cteq
"In a larger sense, Legge’s film is yet another reminder that the most effective visions come from the margins rather than the mainstream commercial cinema..." Read Wheeler Winston Dixon on Andrew Legge's LOLA, now in Issue 108: buff.ly/4c9P1NV
Read our Annotation by Darragh O'Donoghue on THE NIGHT OF THE SHOOTING STARS in @SensesofCinema: sensesofcinema.com/2024/cteq/the-…
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@SensesofCinema Read our annotation by Adrian Danks on YACKETY YACK(1974) in @SensesofCinema: sensesofcinema.com/2024/cteq/yack…
Read our annotation by Digby Houghton on QUEENSLAND(1976) in @SensesofCinema: sensesofcinema.com/2024/cteq/quee…
This Wed 10 April at @ACMI we celebrate a true legend of local screen culture with 'Man of the Cinema: A Tribute to John Flaus at 90', screening key performances across three Melbourne-set films. With special introductions by the filmmakers. Memberships: acmi.net.au/cteq
"Perhaps Fassbinder’s most damning judgement of Germany during and following Nazism" re @SensesofCinema. Tomorrow (Wed) at 8pm, we continue Rainer Werner Fassbinder's BRD Trilogy with 1982's VERONIKA VOSS — screening in #35mm > bit.ly/VERONIKA-VOSS
"One of the most successful of Fassbinder’s many appropriations of canonical Hollywood genres" re @SensesofCinema. Tonight (Wed) at 8pm, Rainer Werner Fassbinder's BRD Trilogy continues with 1982's VERONIKA VOSS — screening in #35mm > bit.ly/VERONIKA-VOSS
Join us tomorrow night @ACMI for the opening night of In the Afterglow: The Mercurial Stardom of Gloria Grahame, highlighting the key roles of one of the most striking actors of 1940s and ‘50s Hollywood. 7pm: IN A LONLEY PLACE (1950) 8:50pm: THE BAD AND THE BEAUTIFUL (1952)
@iicmelb @ACMI Read our Annotation in @SensesofCinema on CAESAR MUST DIE (2012) by Faith Everard: sensesofcinema.com/2024/cteq/pira…
Our tribute to the Taviani Brothers' extraordinary legacy, presented in partnership with the @iicmelb, comes to a close Wed 13 Mar at @ACMI. 7pm: CAESAR MUST DIE (2012) 8:30pm: KAOS (1984), 35mm print Memberships: acmi.net.au/cteq
“As conceptually and formally radical, and virtuosic, as any helmed by the New Wave’s celebrated, most outré directors... can astonish even the most cinephilic audiences today with its singular bravura” @cerisehoward on Lipský's HAPPY END @SensesofCinema sensesofcinema.com/2023/cteq/its-…
Read our Annotation by Darragh O'Donoghue on THE NIGHT OF THE SHOOTING STARS in @SensesofCinema: sensesofcinema.com/2024/cteq/the-…
Tommorow night @ACMI we are launching our new season ‘Living May Be Tragic, but Life Isn't’: The Films of the Taviani Brothers with two 35mm prints 7pm THE NIGHT OF THE SHOOTNG STARS (1982) 9.05pm UN UOMO DA BRUCIARE (1962) Arrive early to join/renew and get your seat
Join us tomorrow night @ACMI for the final films in our 2024 inaugural season, From the Boulevards of Paris to the Docks of Cherbourg: Landmarks of the French Film Musical. 7pm: FRENCH CANCAN (Jean Renoir, 1955) on 35mm 8.55pm: À NOUS LA LIBERTÉ (René Clair, 1931)
@SensesofCinema Read our Annotation by John Flaus on À NOUS LA LIBERTÉ (1931) in @SensesofCinema: sensesofcinema.com/2000/cteq/nous/
Read our Annotation by Rick Thompson on FRENCH CANCAN (1955) in @SensesofCinema: sensesofcinema.com/2003/cteq/fren…
"We had to do rehearsals because the two guys, Sami Frey & Claude Brasseur, didn’t know how to dance. So we rehearsed that scene for a long time, and it became a long take in the film, 'Bande à part' (1964, Godard)" --- Anna Karina
@ACMI @SensesofCinema Read our Annotation by @FaithEverard on ONE SINGS, THE OTHER DOESN'T (1977) in @SensesofCinema: sensesofcinema.com/2024/cteq/one-…
'From the Boulevards of Paris to the Docks of Cherbourg: Landmarks of the French Film Musical' continues tomorrow 14 February at @ACMI . 7pm: THE UMBRELLAS OF CHERBOURG (1964) 8:45pm: ONE SINGS, THE OTHER DOESN'T (1977) Memberships: acmi.net.au/cteq
@ACMI Read our Annotation by Peter H. Kemp on THE UMBRELLAS OF CHERBOURG (1964) in @SensesofCinema: sensesofcinema.com/2001/cteq/umbr…
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