Peter Schade @psframes
Working with Frames, here private personal views, mostly on frames. Retweets are not endorsements. London, England Joined November 2014-
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This morning we re-framed Vigée Le Brun’s Portrait of Mademoiselle Bronginart (1788) in a French frame of the same date and size. The previous frame was a 19th century replica of a mid 18th century pattern. The newly acquired frame could be taken for the original.
We changed the frame on Ruisdael’s large Landscape today. The over gilded French 18th century centre corner frame was replaced by a newly acquired Dutch 17th century ebony moulding. The landscape expands and settles down, as intended by the artist.
I noticed for the first time today that there is a niche cut into the wall of Santa Croce to allow room for one of the masks on the capital of Donatello’s fabulous Annunciation (only on the right side). It goes to show that one can always see something new.
Really big projects come to a point when the majority of the work has been done, but nothing seems to move forward.
Frames from the collection of the Richard Green Gallery: Part II A sale to be held online by @Sothebys , London, from 4-10 April 2024 theframeblog.com/2024/03/30/fra…
We re-framed Rembrandt‘s A Woman taken in Adultery today, replacing a 19th century French 18th century style frame with a very fine, newly acquired Dutch 17th century ebony moulding; the light comes out of the painting in the black frame, it transforms the experience
Keith Christiansen in the first of 3 articles on framing the European paintings @metmuseum : finding period frames or making replicas which are historically appropriate, aesthetically right, or salute the important collectors who have owned these works: theframeblog.com/2024/02/27/fra…
The very big walnut frame with inlayed guilloche pattern is coming together
Tooling of gold is almost always done to create texture and shadows, Pesellino uses punching on gold for the opposite effect. The light reflected by the punched dots is the highlight which cleverly creates the shape of the hat.
Adoración de los Reyes, de Andrea della Robbia, dentro de un altar decorado con pinturas de escuela catalana, procedente de Pedralbes, en la exposición Tiempos Modernos, en el Museo Nacional de Escultura @MuseoEscultura #tiemposmodernos
6. El itinerario de marcos del Museo del Prado: “Otra Colección”. un recorrido cronológico por la colección de marcos del museo y por la historia del marco en general a través de 30 piezas museodelprado.es/actualidad/exp…
Actually, we reframed the Juan de Flandes (left) in a newly acquired antique frame and made a copy of this for Michel Sittow’s Ascension (right). Both part of the same series of devotional panels painted for Isabella of Castile.
Small painting by Juan de Flandes re-framed today. We replaced a replica with an early 16th century frame; the narrower moulding and the darker original gilding work well for this.
We changed the frame on Picasso’s 1914 Still Life yesterday. We replaced the 1970s dealer frame with an austere 17th century black plate frame; it looks much more modern and daring, draws out the subtle shades of grey and black and makes the composition more three dimensional.
We made a new frame for Filippo Lippi’s Medici Altarpiece, it was unveiled in Berlin last night and will be on permanent display from Tuesday. We replaced a much later black cassetta frame with a carefully researched replica of a frame type that the painting might have first had.
Part 3 of 'What artists, critics & collectors say about frames: ' a loose collection of quotations by or on the frames used by C19 European artists from Ingres to Signac, together with a brief consideration of the decoration of exhibition interiors. theframeblog.com/2023/12/01/wha…
@psframes Looking forward to hosting your panel: REFRAMING THE IMAGE: HISTORIC PICTURE FRAMES & THEIR CHANGING FASHIONS on 5 December at @NPGLondon with @PaulMitchellLtd @SamFogg and @TheFrameBlogMag! Tickets: londonartweek.co.uk/law-winter-202…
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@psframes Is it for the currently under conservation St Sebastian?
Frames from the collection of the Richard Green Gallery: Part II A sale to be held online by @Sothebys , London, from 4-10 April 2024 theframeblog.com/2024/03/30/fra…
Documental “Otra Colección: los marcos del Museo Nacional del Prado”. Un viaje visual con restauradores, doradores, conservadores, historiadores del arte y especialistas en enmarcado. Disponible en YouTube: youtube.com/watch?v=RwxYRY…
2/2 Maria and Johan Nordingen, pretending to be shepherds in 1640 (it was a thing), painted by Jan van Bronckhorst.
Keith Christiansen in the first of 3 articles on framing the European paintings @metmuseum : finding period frames or making replicas which are historically appropriate, aesthetically right, or salute the important collectors who have owned these works: theframeblog.com/2024/02/27/fra…
Women of the House Playing Double Sixes. Attributed to Zhou Fang (fl. late 8th c.), Tang dynasty. © National Palace Museum.
Attributed to Zhou Fang, Ladies Wearing Flowers in Their Hair, c. late 8th–early 9th century, handscroll, ink and color on silk, 46 x 180 cm (Liaoning Provincial Museum, Shenyang province, China)
Attributed to Zhou Fang (active late 8th–early 9th century), Ladies Wearing Flowers in Their Hair, handscroll, ink and color on silk, 46 x 180 cm (Liaoning Provincial Museum, Shenyang province, China)
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Nice detail: Little St John in the womb of Elizabeth kneels for tiny Jesus in the womb of Mary. Konrad Witz (and studio) The Visitation, after 1444 (detail)
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Adoración de los Reyes, de Andrea della Robbia, dentro de un altar decorado con pinturas de escuela catalana, procedente de Pedralbes, en la exposición Tiempos Modernos, en el Museo Nacional de Escultura @MuseoEscultura #tiemposmodernos
6. El itinerario de marcos del Museo del Prado: “Otra Colección”. un recorrido cronológico por la colección de marcos del museo y por la historia del marco en general a través de 30 piezas museodelprado.es/actualidad/exp…
Una entusismante noticia, sin duda, la de esta mañana: la divulgación de esta tabla que representa la Intercesión de la Vírgen procedente de la clausura del convento de carmelitas descalzas de S José y Sta Teresa. Mucho agradezco a @Inde la difusión de esta imagen.
El marco no hace al cuadro, 😉 pero lo dignifica 🏛🌿
We made a new frame for Filippo Lippi’s Medici Altarpiece, it was unveiled in Berlin last night and will be on permanent display from Tuesday. We replaced a much later black cassetta frame with a carefully researched replica of a frame type that the painting might have first had.
This video is controversial so that and it’s physics will be explored 🧵 As I see it the potential energy of the nails convert to kinetic energy so it transfers energy all through the box the entropy of the system is increased 1/🧵