e-flux Criticism @efluxcriticism
Critical writing from the expanded field of contemporary art. e-flux.com/criticism/ Joined April 2009-
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REVIEW: Joan Jonas’s drawings of all kinds of living creatures anchor her multifaceted practice and, Filipa Ramos notes, reflect the curiosity the artist has about the animals in her life and work. @drawingcenter e-flux.com/criticism/6018…
REVIEW: A survey of Emanuel Proweller’s paintings suggests to Ren Ebel that this striking body of work—balancing figuration, abstraction, and bold use of color—deserves wider recognition. e-flux.com/criticism/6018…
A first posthumous retrospective in her home state for the Louisiana-born artist Tina Girouard, writes Cat Kron, foregrounds the textile banners she used as props to make the case that her 1970s performance works have been unjustly neglected. e-flux.com/criticism/6016…
A new biography of Candy Darling illuminates the life of the superstar of Warhol's films, writes @mckenziewark, who attempted the impossible: to embody classic American femininity within the frame of the cis gaze. e-flux.com/criticism/6003…
EDITORS’ LETTER: Is it true that—in a censorious culture—only those are free to speak whose values align with their surrounding consensus? And if so, how might artists continue to express real dissent? e-flux.com/criticism/6000…
REVIEW: Issam Kourbaj’s "impulse to catalogue” as a response to the ongoing civil war in Syria has led him to connect different experiences of exile through what Tom Denman describes as "small boats and other metaphors." e-flux.com/criticism/5988…
In their meditations on disgust, identity, and empathy, Mary Helena Clark's films and photographs force us to reconsider our often exploitative relations to non-human animals, Chris Murtha notes. e-flux.com/criticism/5956…
A survey of Esther Malangu's work is most revealing when the work slips the various narratives imposed upon a Ndebele painter who has become post-Apartheid South Africa's "unofficial artist laureate," writes Ben Eastham. e-flux.com/criticism/5950…
Shot in an eerily empty Vatican City, Catherine Opie's photographs manifest a sculptural presence, writes Sylvie Fortin, giving form to vestiges of violence lurking in the institution's shadows. @LehmannMaupin Read here: e-flux.com/criticism/5949…
REVIEW: The classically trained dancer turned artist and choreographer Madeline Hollander challenges the separation of art from science, Maddie Hampton notes, highlighting the potential for beauty in the mundane. e-flux.com/criticism/5917…
REVIEW: How might "political art" be more than mere sloganeering? Suneil Sanzgiri's treatments of historical anticolonial struggles, writes Phil Coldiron, suggest new ways of acting in the present. e-flux.com/criticism/5916…
REVIEW: Jane Jin Kaisen unearths the personal, political, and mythological histories of Korea's storied Jeju Island through a combination of careful research and close attention to the lives of its inhabitants, writes @dylanhuw. @eseacontemp e-flux.com/criticism/5914…
An exhibition in Santiago of early works by Alfredo Jaar titled after Pink Floyd's 1973 album The Dark Side of the Moon, writes Juan José Santos, examines the political and cultural ramifications of Pinochet's US-backed coup that same year. @MNBAChile e-flux.com/criticism/5886…
EDITORS' LETTER: At the dawn of an uncertain year, the editors reflect on how thinking about artifacts of the near past might help us to orient ourselves in the present. e-flux.com/criticism/5884…
REVIEW: This year's edition of Condo—50 international galleries showing work across 23 London spaces—is full of artworks onto which to project emotion, writes Orit Gat, from a slumped plush figure reciting poetry to a spill of pink silicon. e-flux.com/criticism/5872…
REVIEW: In Naoki Sutter-Shudo's staging of the tensions between artist and critic, writes Gracie Hadland, is the artist harking back to a bygone era of robust debate or trying to pre-empt critical scrutiny with a cheap joke? e-flux.com/criticism/5862…
An exhibition marking the centenary of Ireland’s independence reflects on the cultural history of "self-determination". But for all its admirable research, @J_Wilkinson_Art asks, does it account for the implications of that principle now? e-flux.com/criticism/5853…
Valentin Diaconov navigates a group show centered on the idea that infrastructures, often taken for granted, can generate emotional as well as logistical connections. @BlafferMuseum e-flux.com/criticism/5844…
REVIEW: Does an exhibition of An-My Lê's staged military reenactments at MoMA substantiate the institution's historical anti-war positioning or raise more difficult questions about its present stance, asks Jacinda S. Tran. e-flux.com/criticism/5832…
What exactly we are thinking as we look at the severed head of a waitress on a tray? R. H. Lossin argues that Josh Kline's work--ostensibly a commentary on the commodification of workers' bodies--recapitulates the very reduction it claims to critique. e-flux.com/criticism/5830…
Jerry Saltz @jerrysaltz
560K Followers 4K Following Jerry Saltz: Senior Art Critic; New York Magazine. 2018 Pulitzer Prize in Criticism. Author of NYT Best Seller “How To Be an Artist.” 2-time ASME award winner.Aesthetica Magazine @AestheticaMag
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344K Followers 2K Following The independent critical voice in contemporary art since 1949. Sign up to our newsletter: https://t.co/1gVy0yeQQ6 Shop: https://t.co/sBpHOM3k1ahyperallergic @hyperallergic
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136 Followers 1K Following You're not proud of what you're doing right now, are you?Nicholas Raap @NickRaap
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4.6M Followers 1K Following We can’t wait for you to see our newest exhibitions across our four galleries. Book tickets today. 🎟️💛The Art Newspaper @TheArtNewspaper
443K Followers 2K Following Our experts bring you crucial art stories from around the world.ArtReview_ @ArtReview_
344K Followers 2K Following The independent critical voice in contemporary art since 1949. Sign up to our newsletter: https://t.co/1gVy0yeQQ6 Shop: https://t.co/sBpHOM3k1aMoMA The Museum of Mo.. @MuseumModernArt
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2.6M Followers 243 Following Arts and entertainment news from The New York Times.hyperallergic @hyperallergic
169K Followers 649 Following For the latest art news, reviews, and commentary from Hyperallergic, subscribe to our newsletters: https://t.co/FVFgUGdMKMArt in America @ArtinAmerica
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6K Followers 3K Following Contemporary art gallery in Dubai presenting a programme of international artists. Follow us for news and general art insights.Nick Axel reports from the second Sharjah Architecture Triennial, which takes an expanded approach to exhibiting architecture to examine colonialism and modernity and propose what might be built on their ruins. @alucidwake @sharjaharch e-flux.com/criticism/5793…
A show pairs Sanya Kantarovsky’s paintings with Butoh pioneer Tatsumi Hijikata’s performances as photographed by Yasuo Kuroda. These diverse artists share the idea that the body might find freedom in formlessness, writes Jennifer Piejko, e-flux.com/criticism/5801…
EDITORS' LETTER: As artists in Europe and the US see shows cancelled or are dropped by collectors, the question arises of whether the collapse of culture into political discourse risks leaving artists subject to the same mechanisms of control. e-flux.com/criticism/5789…
We are pleased to announce the second edition of Sick Architecture Talks. June 21, 6–8:40pm CEST. The event will be streamed on e-flux Live. e-flux.com/live/474676/si…
Fascinating look at Sophie Calle’s The Hotel and The Address Book. Thanks @calrevelycalder and @art_agenda!
#REARVIEW: Cal Revely-Calder looks at a newly published edition of Sophie Calle’s The Hotel (1981) in the context of contemporary attitudes to privacy and surveillance. @calrevelycalder @sigliopress Read here: bddy.me/3HD7u68
i wrote about sophie calle, immoral & crafty, & our weird attitude to privacy (for @art_agenda) art-agenda.com/criticism/4315…
<<< an angelic conversation >>> me & Tosh Basco chitchatting 4 @art_agenda 🦋 art-agenda.com/features/39107…
Incredibly grateful to @lachristensen for this @nytimes profile. Photography by @AdamaJalloh_ OPEN WATER is out next week (April 13th) in US with @groveatlantic - pre-order now! nytimes.com/2021/04/07/boo…
Now streaming: #TacitaDean’s film, “Fernsehturm” (2001). The film was created during Dean’s year-long DAAD fellowship with the Berlin Artist-in-Residence program in anticipation of her solo exhibition, in early 2001, at @Tate Britain. Until 2/25: mariangoodman.com/tacita-dean-fe…
also check out @digitaltransarc and @BANNERREPEATER for their wonderful online archives 💻
wrote this feature for @art_agenda on the possibility for trans archives in digital art - and kindly reminder to please donate to @BlackTransUK and other trans fundraisers if you can!
#SPACES: How to remember those whom history is structured to forget? Frances Whorrall-Campbell on the possibilities of trans archives in the work of Danielle Brathwaite-Shirley and Shu Lea Cheang @frances_w_c @FPGSouthend @Guggenheim @BlackTransUK Link: ow.ly/JsBl50D3luB
Because I am a former presidential candidate art-agenda asked me for something. The rest is in my bio. instagram.com/p/CHIvjXxFM5u/…
"I liken Vo’s works to migratory birds that, while only ever observed in a single location, carry with them the innumerable journeys upon which they have previously embarked." – Harry Thorne, @art_agenda Read Thorne's full review of Danh Vo: untitled: ow.ly/mapK50xcdOF
"It is, in all its digital excesses, truly human, brimming with all of the human’s angelic and ghostly and fulsome riot." Lovely write-up on @JacolbyS and "You're at home" in @art_agenda. On view for only 4 more days.
Ania Szremski reviews Jacolby Satterwhite’s “You’re at home” at @PioneerWorks_ , New York. Read here: art-agenda.com/features/30167…
Thanks @art_agenda & @tomjeffreys for this excellently considered review of Ignacio Acosta's exhibition 'Tales from the Crust': art-agenda.com/features/30344…. The show is open Thursday – Saturday, 12 – 6pm until 14 December. Free entry!
Read @GronlundMelissa’s verdict on the “inclusive and deliberately experimental” inaugural Sharjah Architecture Triennial for @art_agenda art-agenda.com/features/30299…
Text by @eppsphilomena for @art_agenda ,discussing “The Coming World: Ecology as the New Politics 2030—2100” @garage_mca which closes today. 𝗪𝗲 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗱𝗶𝘀𝗰𝘂𝘀𝘀𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝘁𝗲𝘅𝘁 𝗶𝗻 𝘁𝗼𝗺𝗼𝗿𝗿𝗼𝘄𝘀 Art Writing&Criticism 𝗱𝗶𝘀𝗰𝘂𝘀𝘀𝗶𝗼𝗻 𝗴𝗿𝗼𝘂𝗽✨
Article / Review / Artículo Hannah Collins’s “I Will Make Up a Song” art-agenda.com/features/30066… @MonicaWestin @art_agenda