ArtReview_ @ArtReview_
The independent critical voice in contemporary art since 1949. Sign up to our newsletter: https://t.co/1gVy0yeQQ6 Shop: https://t.co/sBpHOM3k1a artreview.com London, UK Joined April 2009-
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Turner Prize 2024 nominees revealed: artreview.com/irn-bru-restit…
Archie Moore, winner of the Golden Lion for best national participation at this year's Venice Biennale, spoke to ArtReview about representing Australia. artreview.com/archie-moore-o…
E-Waste is the fastest growing solid-waste stream in the world, eventually finding its way to landfills in which toxic chemicals are leached into the earth. Sometimes, this detritus gets recycled. And other times, Cassie Packard writes, these discarded electricals become artworks
“For me, books are open. The beginning of a book is not its first sentence, and the end is not its last. Books are expansive, almost like voracious entities.” Read the full interview with Paul B. Preciado now: artreview.com/the-interview-…
A new survey at Palazzo Grassi, Venice – open today – positions Mehretu amid a wider web of artists, musicians and theorists, including Paul Pfeiffer, Tacita Dean, Fred Moten, Pharaoh Sanders and Huma Bhabha artreview.com/the-fantasy-ar…
‘Relaxation is a State of Mind’ at The Drawing Room, Manila attempts to mark a path through the chaos of urban life artreview.com/mark-salvatus-…
Who can judge the 60th Venice Biennale? Adriano Pedrosa’s ‘Foreigners Everywhere’ wants art to speak for everyone, but it’s hard to know what it might actually say. Read J.J. Charlesworth’s review: artreview.com/60th-venice-bi…
I spoke to Paul B. Preciado about his debut feature film '#Orlando: My Political Biography,' adapted from #VirginiaWoolf's gender-bending modernist novel. Read via @ArtReview_ : artreview.com/the-interview-…
If it’s boring to call a Mapplethorpe show shocking, is it shocking to call it boring? artreview.com/robert-mapplet…
Iranian artist ‘severely beaten’ and detained: artreview.com/iranian-artist…
On Siobhán Hapaska @DHG_Dublin for @ArtReview_ artreview.com/siobhan-hapask…
Jerry Saltz @jerrysaltz
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560K Followers 4K Following Jerry Saltz: Senior Art Critic; New York Magazine. 2018 Pulitzer Prize in Criticism. Author of NYT Best Seller “How To Be an Artist.” 2-time ASME award winner.Tate @Tate
4.6M Followers 1K Following We can’t wait for you to see our newest exhibitions across our four galleries. Book tickets today. 🎟️💛Aesthetica Magazine @AestheticaMag
122K Followers 13K Following The Destination for Art & Culture | Subscribe & Save 40% + Free Tote BagThe Art Newspaper @TheArtNewspaper
443K Followers 2K Following Our experts bring you crucial art stories from around the world.ARTnews @artnews
302K Followers 1K Following Founded in 1902, ARTnews is the most trusted source for news in the art world.Getty @GettyMuseum
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8K Followers 4K Following ON SHOW: Jan Van Imschoot | Joseph Willaert | Film Fest Gent | Motel Corona | Matthys-Colle CollectionI spoke to Paul B. Preciado about his debut feature film '#Orlando: My Political Biography,' adapted from #VirginiaWoolf's gender-bending modernist novel. Read via @ArtReview_ : artreview.com/the-interview-…
On Siobhán Hapaska @DHG_Dublin for @ArtReview_ artreview.com/siobhan-hapask…
Who Can Judge the 60th #VeniceBiennale? Adriano Pedrosa’s Foreigners Everywhere wants art to speak for everyone, but it’s hard to know what it might actually say- Thoughtful as usual by @jjcharlesworth_ via @ArtReview_ 1/3 artreview.com/60th-venice-bi…
It took a while (ten years, but who's counting). But it's finally a book, thanks to the fine folk at @RoutledgeArt. Out now. routledge.com/Criticism-Art-…
"Torn Clean," Chloe Wise's solo exhibition will be on view on April 24 at Almine Rech Brussels. A conversation between the artist and Francesca Gavin will take place in the gallery on April 27, organized in partnership with @ArtReview_ and moderated by JJ Charlesworth.
Third time's a charm, in several respects, for the Thailand Biennale, I write in @ArtReview_. "..the synergistic interaction and shared passion among local stakeholders is clear". artreview.com/thailand-bienn…
My father @NgugiWaThiongo_ physically abused my late mother – he would beat her up. Some of my earliest memories are me going to visit her at my grandmother’s where she would seek refuge. But with that said it is the silencing of who she was that gets me. Ok- I have said it.
"as Accra’s residency-exhibitions and events such as CritLab show, in short, intense bursts, its artists are already building their own institutions" Chris Fite-Wassilak (@cfitewassilak) on artists' visions for their institutions in Ghana @ArtReview_ ow.ly/yzU350QLSlM
got a chance to spend a few days in Accra, via an invitation from @_exitframe - some brief notes in this issue, incl. Kelvin Haizel @Gallery1957, @worldfaze1 and @FCA_Ghana
The ArtReview February 2024 issue is out now – featuring Future Greats 2024, Jordan Wolfson, Camille Paglia, a report from Accra, and much more artreview.com/artreview-febr…
For @ArtReview_ I wrote about the ways American poets and fiction writers are using erasure. Feat. Nicole Sealey's The Ferguson Report, Justin Torres's Blackouts and more. Huge thanks to @oritgat for edits and encouragement with this: artreview.com/how-american-w…
👏👏 Hauser & Wirth and @ArtReview_ launch Writer’s Residency. Awarded by open call, Write Now will be hosted at @HauserWirth Somerset. artreview.com/hauser-wirth-a…
Tomorrow and Friday I'll be at artgenève for the Prix Mobilière award ceremony and an @ArtReview_ talk on museums and the immersive artwork with Hannes Koch, artist and co-founder of @RandomInternational, moderated by @jjcharlesworth_, Editor at ArtReview.…
this essay/review from @michellem_sc is very good on the sentence-level evasiveness that betrays a writer unable to fully wrestle with the power of the phenomenon they are describing, in this case algorithms and internet culture in two new books artreview.com/what-is-intern…
Come find us at @artsg_singapore! The fair runs from January 19-21 (Jan 18 is the vernissage + preview). Our booth is on Level 1 🎉 Thank you @ArtReview_ , @nownessasia, and @Ferragamo. #chrisburdenbeyondlimits
We are delighted to be partnered with ArtReview for #LAF24 Subscribe or buy single issues of ArtReview artreview.com or follow via @ArtReview_
Signing off for the year from my temporary job @ArtReview_ Text from newsletter @alexleissle and I finished today all these gorgeous end of year essays (from @cnqmdi, @BetaRish, @HRFThorne, @jameskhansen and many others) are here artreview.com/category/the-y… Here's to better times!
Signing off from work for the year; see you in the next one (↓ an excerpt from our newsletter: eepurl.com/cnjYH)
to return and escape and return and escape again: I wrote about pop punk, nostalgia, and the best music of 2023, for @ArtReview_
The year in music: 2023 had seen many notable new releases, but sometimes you just want to be at home artreview.com/the-year-in-mu…
for @ArtReview_, i wrote about how the rise of tastemaking on tiktok has accelerated both the fame and dominance of a "no-place" aesthetic and cuisine in london, and what happens when the complicated, wonderful reality of the city dares impinge on it artreview.com/the-year-in-fo…