Mark @ValPigott

Barely two minutes long, "William, It Was Really Nothing" remains one of The Smiths' most exhilarating recordings. Released as a standalone single in 1984, its dazzling Johnny Marr guitar work and Morrissey's witty, bittersweet lyrics helped cement the band's reputation as one of Britain's most original new acts. This performance in Madrid, during the Meat Is Murder era, captures The Smiths at the height of their live powers, revisiting one of their finest early singles with confidence and irresistible energy.

@McDonaldsUK 3 times I have tried this link and it doesn't work. Am unable to log in to my account. Please advise

Courtney Love never shied away from turning sharp observations into unforgettable songs. "Awful," from Celebrity Skin, wrapped biting social commentary inside bright, infectious melodies, revealing Hole's ability to balance polished rock with their trademark edge. This live performance from Philadelphia captures the band delivering one of the album's most energetic moments with confidence, attitude and unmistakable fire.

@martypigott @officialShaky Slippin' and Slidin'

Bonnie Tyler was a true professional, and a bright, shining light. She loved life and inspired the rest of us to do the same. Our thoughts are with Bonnie's loved ones. Always in our hearts, Shaky

Sometimes a band's biggest hit reveals a completely different side of their sound. "Swallowed," from Razorblade Suitcase, traded Bush's usual explosive grunge for a darker, more atmospheric mood, becoming their biggest international single and showcasing Gavin Rossdale's growing confidence as a songwriter. This live performance at Reading Festival captures Bush bringing that brooding intensity to one of rock's most iconic festival stages.

Not every powerful song became one of Hole's biggest singles. "Dying," from Celebrity Skin, revealed a more vulnerable and reflective side to the band, pairing Courtney Love's emotionally charged vocals with the album's polished, melodic sound. This live performance from Philadelphia showcases one of the record's overlooked highlights, delivered with the intensity and conviction that made Hole such a compelling live act.

Reflective, melodic and unmistakably Red Hot Chili Peppers, "Californication" revealed a more introspective side to the band. Featured on their 1999 album Californication, the song became one of their defining hits, with John Frusciante's return helping inspire a remarkable creative revival. Their performance at Woodstock '99 captured the renewed chemistry that would launch one of the most successful chapters of the band's career.

Hidden among the Stone Roses' most celebrated songs, "Shoot You Down" showcased the band's softer, more atmospheric side. Featured on their landmark 1989 debut album, its dreamy guitars, understated groove and Ian Brown's laid-back vocal proved the group could be just as captivating at their quietest as they were at their most anthemic. This live rehearsal offers a rare glimpse into the band's creative chemistry, revealing the effortless musicianship behind one of their finest deep cuts.

"How Soon Is Now?" became one of The Smiths' most recognisable recordings almost by accident. First appearing in 1984 as the B-side to "William, It Was Really Nothing," its hypnotic guitar sound eventually helped it grow into one of the band's defining songs. Morrissey's later solo performances gave the track a new chapter, bringing one of The Smiths' most influential moments back to the stage years after the band had ended.

Few Metallica songs have crossed over to a wider audience quite like "Nothing Else Matters." First heard on 1991's self-titled album, it revealed a more melodic and personal side to the band while becoming one of their most enduring songs. This live acoustic performance from 1997 strips everything back, allowing the songwriting and emotion to take centre stage without sacrificing the song's impact.

Elizabeth Fraser's haunting vocal transformed "Teardrop" into one of the most recognisable songs of the 1990s. Featured on Massive Attack's landmark 1998 album Mezzanine, the track blended trip hop, electronica and dream pop into something entirely unique, becoming one of the band's defining recordings. Their appearance on Later... with Jools Holland captured the song's hypnotic atmosphere in a live setting, proving just how powerful it could be beyond the studio.

Long before rap and heavy rock became a mainstream combination, Faith No More were proving just how explosive the mix could be. Released in 1990 as the breakthrough single from The Real Thing, "Epic" introduced the band to a global audience with Mike Patton's charismatic vocals and a sound that refused to fit one genre. Their MTV Music Awards performance captured the moment Faith No More were transforming from cult favourites into one of alternative music's most unpredictable success stories.

@WHATSFORDlNNER Bacon

Margo Leadbetter was snobbish, humourless and entitled, & Penelope Keith managed to make her into one of the most adored (and oddly vulnerable) characters ever seen on a sitcom. She delivered every line as if it were a jewelled crown on a velvet cushion. An utter genius.

Coldplay's rise gathered momentum through songs that favoured emotion over spectacle. "Trouble" showcased Chris Martin's intimate songwriting and understated piano-led style, helping establish the band as one of Britain's most promising new acts. Their performance at the 2001 Brit Awards reflected a group whose quiet confidence was beginning to earn widespread recognition.

Released during the campaign for The It Girl, "Sale of the Century" showcased the sharp songwriting and witty observations that helped make Sleeper one of the leading bands of the Britpop era. Their appearance on TFI Friday in April 1996 came as the group were enjoying their biggest commercial success, bringing one of the album's standout singles to a national television audience.

Released as the title track of the band's influential Madchester Rave On EP, "Rave On" helped define the groove led sound that set Happy Mondays apart from their indie contemporaries. Their performance at Manchester's G-MEX in March 1990 came as the city's music scene was becoming a national phenomenon, with the band at the forefront of the Madchester movement.

Before Hot Fuss had turned The Killers into one of the biggest new bands in the world, "Mr. Brightside" and "All These Things That I've Done" were already becoming festival favourites. Their appearance at T in the Park in 2004 captured the group during their breakthrough summer, introducing Scottish audiences to two songs that would soon define the band's career.

The Beautiful South never relied on volume to make an impact. "Good as Gold (Stupid as Mud)" combined sharp, witty songwriting with irresistible melodies, highlighting the band's knack for wrapping social observation in deceptively gentle pop. This acoustic MTV performance strips the song back to its essentials, letting the quality of the writing and the vocal harmonies take centre stage.