Josh @ScenePerfection

Header: Ip Man letterboxd.com/ScenePerfectio… Joined February 2022

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Josh @ScenePerfection

a year ago

I saw the new Captain America film hours ago and I forgot to post anything about it. I'd elaborate on what my thoughts are, but I feel like that says enough.

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Josh @ScenePerfection

a year ago

Piracy discourse for the millionth time this year

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Josh @ScenePerfection

a year ago

I really think we need to start letting good actors and actresses be instead of going "but what if we chained them to a cinematic universe!" immediately after they give a breakout performance

Rogue ⛩️ @ScreenRogue

a year ago

10/10 casting right here

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Josh @ScenePerfection

a year ago

Bad game between lame teams with bad fanbases. At least the halftime show was cool

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Josh @ScenePerfection

a year ago

@firagawalkwthme @McR1B69 That's why if you're in this position, you counter with To Wong Foo, Thanks for Everything! to throw them for a loop

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Formal mastery. The shopping center sequence is one of the finest action sequences ever put to film from what I've seen. So chilling in its atmosphere, so methodical in its execution. Violence symbolic of shifting devotion. Am impeccable display of anticipatory technique.

Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

@joshuagynther I think this rewatch confirmed that it's probably up there with my favorite films ever. Everything about it just clicks so well for me.

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Josh @ScenePerfection

a year ago

It's hard not to marvel at how incredibly well-crafted this film is. I just adore how busy the images are, offering so many layers and possessing an almost mocking cruelty behind most of them. A brilliantly presented dilemma with an absolute star at its center. Simply phenomenal

Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

Great film. Really captures the consequentially fetishistic nature that surrounds much of true crime enthusiasm. There's so much room for tragedy to become a commodity because in a landscape where everything is digitally viewable, some grow a desire to see everything.

Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

A very bitter film, one that's brimming with aggression. Peckinpah opts for a rather nasty stab at reflection, and in the process creates a senseless journey that is immensely tragic in its nature. A filmmaker hypercritical of himself. Wonderful film, perhaps Peckinpah's best.

Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

Still a very fun watch the second time around. Strikes a perfect blend of a pronounced rebellious attitude and somewhat understated political critique. Might read as a mess upon initial glance, but this is a razor sharp film that shines through its cultural clutter.

Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

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Josh @ScenePerfection

a year ago

Not good. Relies too heavily on Madison's performance (which is great) to provide interiority to the character of Ani. Has no sense of rhythm through the first act and misses the landing to an almost embarrassing degree. The gestures of empathy within the film feel weightless.