NFT Magazine @MagazineNFT

Media partner of Zero 10, Art Basel’s global digital initiative nft-magazine.com Joined January 2021

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NFT Magazine @MagazineNFT

2 weeks ago

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NFT Magazine @MagazineNFT

a month ago

It was our pleasure to be media partners with Zero 10, @ArtBasel’s global digital initiative. Stay tuned for our Zero 10 wrap-up article.

For one week, the art world gathered in Basel: From the cutting-edge presentations of Zero 10 to Parcours installations across the iconic city, Basel became a place of encounter, discovery, and exchange. Thank you again to our galleries, artists, partners, visitors, and

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NFT Magazine @MagazineNFT

a month ago

A bird's-eye view of Zero 10 at @ArtBasel in Basel, exploring the evolving landscape of digital-era art through the vision of co-curators Trevor Plagen and Eli Schein. Get our coverage and ticket information before the final day 🔗 nft-magazine.com/features/zero-…

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NFT Magazine @MagazineNFT

a month ago

Read the full article 🔗 nft-magazine.com/features/harol… @GazelliArtHouse @ArtBasel

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NFT Magazine @MagazineNFT

a month ago

🔗 nft-magazine.com/features/zero-… @artblocks_io exhibits @williamapan’s two new series, Paysages Plausibles and Dances on Shadows at Zero 10 during @ArtBasel 2026. DOS (Dances on Shadows) explores the relation between digital and physical aesthetics: pixelated shadows, coloured pastel contours, gestures, and drifts around latent landscapes. DOS follows the movements, traces, and residual energies that inhabit these plausible landscapes, revealing structures embedded within the main series through the plotter's language of contour, repetition, and displacement. Each work pairs an NFT with a physical plotter drawing: a landscape on paper overlaid with pastel on tracing paper, allowing ground and surface to read through one another. The project is influenced by Sol LeWitt's instruction-based drawings and Harold Cohen's computer-generated works, where programmatic systems produce images that oscillate between representation and abstraction. The artist defines the rules, but the final configuration remains open to the generative process.

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NFT Magazine @MagazineNFT

a month ago

HEK (Haus der Elektronischen Künste; House of Electronic Arts) is the first leading research institution to exhibit at Art Basel, through the Zero10 initiative. It is also the only non-commercial, purely educational presentation at the fair, breaking from the traditional gallery/dealer sales model by focusing on historical context and education rather than selling works. Read about HEK’s full display 🔗 nft-magazine.com/features/hek-t…

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NFT Magazine @MagazineNFT

a month ago

Three flags. One arc. A nine-year body of work, completed before the present moment arrived, that now describes it precisely. @john__gerrard’s three works are presented together for the first time by @fellowshiptrust at Zero 10 in @ArtBasel. Regsiter for free access until 19 June 🔗 nft-magazine.com/features/zero-… Below: FLARE (OCEANIA), 2022 holds the present. A gas flare burning in the form of a flag over the South Pacific near Tonga. An alarm sounded over a heating ocean.

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NFT Magazine @MagazineNFT

a month ago

🔗 nft-magazine.com/features/your-… Get our Zero 10 guide and register for free access. NFT Magazine is a proud media partner of Zero 10, @ArtBasel’s global digital initiative. Free public access to Zero 10 is available from June 17–19 with advance registration.

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NFT Magazine @MagazineNFT

a month ago

NFT Magazine is a proud media partner of Zero 10, Art Basel's global digital initiative. Follow the link to read our coverage of Zero 10 now, and get your hands on our Zero 10 Guide before you set out for the Event Hall on Messeplatz. 🔗 nft-magazine.com/features/zero-… “In promoting Zero 10, Art Basel made a curatorial decision, not merely a market one…” 🖊️ @gretchenandrew

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NFT Magazine @MagazineNFT

6 months ago

Michael J. Masucci is our February cover artist! @mjmasucci 🔗 nft-magazine.com/features/cover… Read the full interview to dive into the past, present and future of digital art, through the rich history of EZTV and Masucci’s work.

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NFT Magazine @MagazineNFT

6 months ago

Artwork from @RichardNadler1’s upcoming “HabiTextures” 30 piece series. Dropping on @SuperRare on February 5.

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NFT Magazine @MagazineNFT

6 months ago

Read @olena_yara’s interview with @MuhjuArt where they discuss the launch of the Cendre Bracelet on @ArtFungible_io 🔗 nft-magazine.com/article/in-con… Olena Yara: Can you tell me more about the Cendre Bracelet? Why is it limited to only 99 pieces. Why was this number important to you? Muhju: The Cendre bracelet is deeply inspired by the architecture of ancient Roman denarii. Just as those coins featured a central portrait surrounded by Latin inscriptions, this piece frames a central motif with decorative engraving...

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NFT Magazine @MagazineNFT

6 months ago

@MFTMKKUS It was a pleasure 🖤

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Kaikai Kiki Marketplace @MFTMKKUS

6 months ago

Takashi Murakami on NFTs, Art, and Collecting Hello, this is Takashi Murakami. I was featured as the cover artist in NFT Magazine (@MagazineNFT), where I spoke about my approach to art, collecting, and my ongoing exploration of NFTs as a medium of expression. In the interview, I speak quite candidly about the background behind the birth of Murakami. Flowers, the relationship between art and capitalism, and why digital collectibles continue to be important to my practice today. It was an e-mail interview and I worked on it intensively, rewriting it over and over for about ten days. I wanted to share this article with everyone in the Kaikai Kiki Market Place (KKMP) community as well. I am convinced that my sincere commitment to art, as well as why I continue to focus on NFT art despite the strong headwinds surrounding it, would fully be understood after my death. The fact that I am still alive, however, perhaps makes it harder to be understood. That is why, in this interview, I took the time to explain these ideas thoroughly. I may sound self-congratulatory, but I genuinely believe this is a valuable document for understanding what art truly is. Please do give it a read. Thank you very much for your support. Read the full article here: nft-magazine.com/features/cover… --- こんにちわ、村上隆です。 NFT Magazine (@MagazineNFT)でカバーアーティストとして村上隆が特集され、アートへの向き合い方、コレクション、そして表現手段としてのNFTの継続的な探求について語りました。インタビューでは、Murakami. Flowersの誕生の背景、アートと資本主義の関係、そしてなぜデジタルコレクティブルが現在も自身の制作において重要であり続けているのかをかなり赤裸々に語っています。 10日間くらい原稿に向かって何度も書き直した力作の書面インタビューです。ぜひこの原稿をKK Market Place = KKMPコミュニティの皆さんにも共有したいと思いました。私の芸術に対する真剣な想い。そしてどーしてココまで逆風のNFT ARTにこだわり続けているかを、私の没後であるなら必ず理解していただけると思うのですが、あいにく私はまだ生きており、ゆえに理解していただくのが難しくなっていると思うので、今回のインタビューでは懇々と説明させていただきました。芸術とは何たるか？を理解して頂く貴重な文献だと自画自賛なんですけど、本音です。ぜひご一読ください。どうぞヨロシクお願いいたします。記事全文はこちらからご覧ください： nft-magazine.com/features/cover…

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NFT Magazine @MagazineNFT

6 months ago

Takashi Murakami on how an artist’s environment affects their practice. Read our full January Cover Artist Interview here: 🔗 nft-magazine.com/features/cover…

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NFT Magazine @MagazineNFT

7 months ago

Takashi Murakami on his shift to digital trading cards and some of his earliest collections as a child. Read the full interview now! 🔗 nft-magazine.com/features/cover…

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NFT Magazine @MagazineNFT

7 months ago

Read our January Cover Artist Interview with Takashi Murakami! 🔗 nft-magazine.com/features/cover… Get insight into his view on the current market, his upcoming plans, and some of his earliest collections as a child..