Clemens Gritl @ClemensGritl
Digital artist from Berlin. I design Brutalist 3D cityscapes based on utopian architectural visions. Available as limited print editions + soon as NFT series! clemensgritl.com Brutopolis Joined December 2021-
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Save the date if you are located in Berlin!
to everyone who’s in Berlin during november: take a look at my show! 08/11 at 7pm @ Galerie Hundertmark
to everyone who’s in Berlin during november: take a look at my show!
time for a little detail of my latest work:)
GM Monday, am I right... #XREY
Lady Interbellum, 2020, Sanford Biggers.
Hello, this is my latest work NO#12!
Epic from Ground Rules, 1997, Robert Rauschenberg.
GM from da block
Gm mi gente
✌️this is one of my smaller in it’s beautiful oak wooden frame. If you want one of these, LMK!
Gm! @de_ellende see at what time😵?!
'A Curious Pebble' listed on OBJKT. Link Below⬇️
Gm squad
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Gm, today I became 30 , aging like a good red wine 🍷 Happy Sunday fam
Un peu de promo pour Clemens Gritl ! 😉 C'est impressionnant de finesse dans la manière de magnifier le "brutalisme" en architecture ! 😯 Plus de photos sur son site ↘️ clemensgritl.com @ClemensGritl #Architecture #Urbanisme #Brutalism
Ralph Rapson, Pillsbury Residence (1966) Wayzata, MN Photos: Balthazar Korab Via Record Houses of 1966
1957 house by architect William Kessler in Detroit, MI
It wasn't only public buildings. Take the Erie County Savings Bank in Buffalo (since demolished in an attempt at "urban renewal"):
Why did America destroy its own cities? A thread... 🧵
Voici à quoi aurait ressemblé Paris si le "Plan Voisin" de l'architecte Le Corbusier avait été réalisé. Ce projet envisageait de raser la Rive Droite de la capitale pour construire 18 gratte-ciels de 60 étages et deux autoroutes de 6 voies. Crédit : @ClemensGritl
In 1971, engineers from the Soviet Union ignited a fire in a gas-filled hole in the Turkmenistan desert. Anticipating that the flames would extinguish within days, they were surprised when the fire continued to burn. Now, 52 years later, this site, known as “The Door to…
7. The Cathedral of Learning, Pittsburgh (1936) Art Deco futurism went hand-in-hand with the verticality of neo-Gothic...
People sometimes wonder if we can no longer build those architectural wonders of the past. We could — it's just that we don't want to. Humanity will build whatever we think is most important, and right now that is hotels, offices, malls, and airports.
We accept it as normal because it is all we have ever known — but a person from the 19th century would hardly recognise the world today. Consider how St Paul's, which once dominated London's skyline, is now puny when compared to the skyscrapers that have risen around it.
The Pyramids, despite being more than 4,000 years old, are still unbelievably large. But the point is this: their very size speaks to the importance and power of the semi-divine Pharaohs, for whom the pyramids were built as tombs.
For most of human history it is religious sites — cathedrals, mosques, temples — that have been our largest buildings. That these were fundamentally religious societies is clear, otherwise such buildings would not have been so large. A simple deduction, but vitally true.
And with the Industrial Revolution infrastructure also grew. The Romans had built viaducts and the Persians had built roads, but nothing compared in scale or complexity to something like the Forth Bridge in Scotland, an iron behemoth built in 1882. An Industrial World.
So what do our biggest buildings say about us? Above all, perhaps, that we live in a consumerist society; many of our biggest buildings are factories now. Power has shifted, and making products for consumers is now more important than building palaces or tombs for rulers.
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