Wrong Gallery Birmingham @wrong_gallery
Joined August 2025-
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The louder the voice, the quieter the #artwork Ego is no longer a side effect of art. It is a currency. #arthistory #artist thewronggallery.com/post/the-artis…
When belief collapses, myths do not disappear they adapt, and the unicorn is among the clearest examples of this survival strategy. #symbolism #art #Unicorn #licorne thewronggallery.com/post/the-unico…
Art Made for Circulation #Exposure Is Not a Reason to Make #Art thewronggallery.com/post/art-made-…
Disappearing Politely Immersive Exhibition @the_wrong_gallery 19 Feb - 19 March - Designed as an emotionally immersive environment, it is best experienced in small numbers. Invitation and Reservation only (£5 donation pp )
Art doesn’t disappear under censorship, but under accumulation. A short reflection on art, visibility and attention. #artist #callforentry thewronggallery.com/post/social-me…
Why Art That Sticks Its Nose Into Politics Still Has a Place: thewronggallery.com/post/why-art-t…
Inside Coventry’s LTB Showrooms @LtbShowrooms — a vibrant, independent art space redefining what grassroots creativity can be. Freedom, community, and art without gatekeepers. #grassroots #Gatekeepers #Coventry
Parler l’Amour (Speaking Love) — a five-level immersive exhibition at The Wrong Gallery, bringing together five artists in a single narrative environment. This short film narrated by Harry Lubkowski, co-editor of The Golovine. #immersiveart #birminghamartist #fredfabre
@ruth_millington Beautifully observed, your review captures that sense of in-between space in Gardiner’s work where memory, place, and perception blur.
Salon Synthetic - Tuesday 4 November (7pm) - Author Soul Miles @soul_miles presents And Salt the Earth Behind, a confrontation with Eugenics as an archival and designerly practice. Miles exposes the synthetic dreams of purity that still haunt our technologies. #wronggallery #ART
Parler L’Amour (Speaking Love). The doors have closed, but the works are still listening. Some conversations happen inside; others at the threshold. Both matter.
28 October, Curatorial Salon (closed event) Hosted by Harry Lubkowski( @i_lub_life / @uobarthistory )in collaboration with the Department of Art History, Curating and Visual Studies at The University of Birmingham. #artsalon #wronggallery
Salon Reframed The Wrong Gallery 18 October (7pm) Harry Lubkowski , co-editor of The Golovine, hosts an intimate evening inviting visitors to revisit the exhibition Parler L’Amour. It explores how art’s meaning transforms when it is viewed, discussed, and experienced anew.
@arthistorynews @nationaltrust x.com/wrong_gallery/…
Overcoming the accessibility challenges of The Wrong Gallery’s five levels through a drone-based exploration with film student Laiba. #accessibility
@visit_bham @mac_birmingham x.com/wrong_gallery/…
Overcoming the accessibility challenges of The Wrong Gallery’s five levels through a drone-based exploration with film student Laiba. #accessibility
@EnableIreland @TheGapIE x.com/wrong_gallery/…
Overcoming the accessibility challenges of The Wrong Gallery’s five levels through a drone-based exploration with film student Laiba. #accessibility
@royalacademy @V_and_A @TristramHuntVA x.com/wrong_gallery/…
Overcoming the accessibility challenges of The Wrong Gallery’s five levels through a drone-based exploration with film student Laiba. #accessibility
@servicerotties x.com/wrong_gallery/…
Delighted to share Harry Lubkowski’s deeply insightful and perceptive review of Parler l’Amour at The Wrong Gallery, published in The Golovine. His writing beautifully mirrors the exhibition’s emotion and intellectual depth. thegolovine.wordpress.com/2025/10/11/bir…
@servicerotties x.com/wrong_gallery/…
Delighted to share Harry Lubkowski’s deeply insightful and perceptive review of Parler l’Amour at The Wrong Gallery, published in The Golovine. His writing beautifully mirrors the exhibition’s emotion and intellectual depth. thegolovine.wordpress.com/2025/10/11/bir…
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