Valuart @valuartdotcom
We support projects poised to redefine the standards. We are in step with the growing synergy between art and technology. valuart.com Switzerland Joined June 2021-
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This is a true human story, shared during the Untitled immersive experience in Hong Kong by an anonymous participant. When someone across the world feels exactly what you’ve never said out loud, for a moment distance collapses and you realise we were never that different to begin with – I feel lost I don't know where I should be Or what I should do It is interesting to explore Everything around me I don’t have a clear path About where I want to go Or where I want to be in the future I want to explore everything But I don’t have the chance to I’d like to learn more about the world I’m interested in art Marine biology Science I love to read I love ceramics I love to explore Hong Kong I love to eat I love meeting new people I love to explore our world I learned that Planning ahead of time Does not mean You are going to always follow the plan You might still feel completely lost Not knowing where to start I learned to follow the flow I don’t like to stick to one thing I find it boring to stick with it I’m trying to work towards my purpose But in truth I still don’t know
I am something I come from nothing This contradiction defines who I am And who I am not I am a child Though I no longer remember What shapes me The most important memory is Forgotten Childhood sinks into the subconscious I wander through an unfamiliar world I label the unreal as real Growing up Is learning to trust strangers The carnival of life unfolds I fight for my place in society I discover I do not fit in The mask I chose to wear now Clings too tightly to my skin I face the parts of myself I despise the most Countless lives intersect mine I learn the rules of letting go This version of myself Can no longer stay I want to wear my own face Rebirth I do not understand death Everything ends That is why everything matters That is why everything does not matter My story is the only reality I live from within But I need your story to write mine I do not know who I am Who am I? I do not know who you are Who are you This is the very first Untitled artwork. It tells a very personal human story – my own – shared during the Untitled Immersive Experience. Untitled is a space where people can reveal their fragility and who they are. A moment of vulnerability and truth. When we understand that everyone carries a cross, in one way or another, we stop seeing strangers. We start seeing humans.
Be aware of absence. Our shared experience of it can guide us through the dissolution and renewal of ourselves. Coming soon: CTRL_ABSCENCE by @skygolpe
CTRL_ABSENCE Collection London Nov. 20-26 What does it mean to miss what was never there? It is not void, but expectation turned inside out, a presence perceived through its own refusal. We live as if everything must be filled, every gap occupied, every silence broken. Yet absence persists, reminding us that no fullness is ever complete, that desire is never exhausted. It is not nothingness; it is the measure of our need, and the horizon we can never reach. (1/2) EDGE OF DATA, 2025
Technical support for MOLOCH by Sasha Sime, now on view at Foundry Downtown. An AI-driven installation exploring the systems of meaning, memory, and machine through digital recursion. On view until October 20th, 2025. @sasha_sime
Presenting Custom Feelings (2025), part of Skygolpe’s CTRL_ABSENCE collection, debuting at his upcoming solo show with Fellowship in London, Nov 20–26, 2025. @skygolpe @fellowshiptrust
Skygolpe working on his upcoming solo show with Fellowship in London, Nov 20–26, 2025. @skygolpe @fellowshiptrust
All the works in CTRL_ABSENCE have undergone a transformation within an organic context, where painting and matter have played a crucial role. Each piece emerges from a multidimensional process: sometimes the point of departure was printing or photography, at other times it was entirely digital. Yet regardless of origin, what defines the series is the constant interplay and contamination between dimensions.
Blind Stock (2025). CTRL_ABSENCE Collection. Physical exhibition 20–26 November 2025. Presented by @fellowshiptrust
Custom Feelings (2025) CTRL_ABSENCE Collection Nov. 20-26 London @fellowshiptrust
RIP. drop 0̷0̷4̷ • @_veneramusic / @JC_SHAFFER @chris_hunt_0
Creation is an act of subtraction. To own is to let go. Every appearance carries the seed of its own erasure. CTRL_ABSENCE is a gateway to the threshold where decay and regeneration coincide, a suspended zone where form and memory are constantly rewritten.
Blind Stock (2025). CTRL_ABSENCE Collection. Physical exhibition 20–26 November 2025. Presented by @fellowshiptrust
In my upcoming collection CTRL_ABSENCE, I returned to animation after a long pause. Revisiting a process that had once expanded the horizons of my practice revealed new ways of pushing it further. My first attempts to animate my paintings began in 2020, when I first entered the NFT space. As a self-taught artist, I have always tried to use the tools at my disposal in the most unconventional way possible. I believe that the risk of following what “should” be done is often an invisible enemy to the authenticity of a work. I remember convincing myself to move in this direction after sensing a kind of raw originality in the results I achieved. Overthinking, 2020
gm. "Thousands of candles can be lit from a single candle, and the life of the candle will not be shortened. Happiness never decreases by being shared" Polyfeel by @skygolpe
Today I want to begin unfolding CTRL_ABSENCE, my upcoming collection presented by @fellowshiptrust. Before entering the conceptual framework, I want to trace back to the first steps of its creative process. From the very beginning, what intrigued me most was the idea of confronting a symbol as defining as my silhouette with what can now be seen as one of the strongest forces challenging artistic identity: artificial intelligence. The question was simple yet radical: would my silhouette withstand the test of identity when exposed to such a process of dissolution? It felt almost natural to start by creating static 1/1 works that could stand on their own, works that I would be fully satisfied with even outside the larger project. This initial phase, which began in mid-2024, was complemented with multiple photography sessions in the streets, capturing urban elements and textures that later became the raw material of the series. These works formed the foundation, the hard core from which CTRL_ABSENCE began to unfold.
Broken Border (2025). Part of my upcoming solo show at @fellowshiptrust in London. Dates will be announced soon!
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