Annabel Jessica Goldsmith @themoderns_
Ann Harding research and other things. Searching archives and listening to Ernst Toch Joined February 2021-
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Ann Harding doesn’t have much to do in Condemned (1929), but it did showcase her ability to thoroughly command the scene with her powerful voice
Mitchum and Gardner should’ve done more films together…guess the cleft chin game was just too strong
It’s interesting seeing films from the Classical Hollywood period that really use how the actresses were photographed differently to focus on how they’re seen as untouchable goddesses in the film
Love this 1933 newsreel demonstrating some of the radical new women’s pants. “To be smart, the crease in your trousers must be as permanent as the wave in your hair…”
Carole Lombard by Martin Munkácsi, c. 1937.
A good day to remember Joseph Mankiewicz's bold adaptation of Guys and Dolls, and Jean Simmons's extraordinary (and wrongly unappreciated) performance in it; streaming lots of places, free: newyorker.com/culture/richar…
A wonderful passage from Ben Hecht’s memoir remembering the directors he worked with
I’ve mentioned my love for Five Star Final (1931) on here before but something I just adore is how an uncredited performance, the wonderful Polly Walters, really brings the whole environment to life
Today is #WorldBookDay so you know what I must share. Available at lulu.com amazon & signed copies to benefit Film Preservation Society at their website.
Ann Harding worked with Anthony Mann on the film noir short “Load.” It was to be part of the anthology film It’s a Big Country (1951), but was cut prior to release. I believe this still is all that remains. Jean Hersholt, her co-star from The Fountain (1934), is featured here
Tomorrow at 7:30a.m. (ET); Edward Everett Horton delivers deadly serious and sharply observant lines with his familiar antic manner and the result is poignant and disconcerting.
Tomorrow at 7:30a.m. (ET); Edward Everett Horton delivers deadly serious and sharply observant lines with his familiar antic manner and the result is poignant and disconcerting.
@WarnerArchive I've been a longtime critic of Robert Montgomery's performance but overall I really like this film. I wrote about the production history for my website in case you want to read about it: thescrewballgirl.com/2022/11/16/a-f…
Happy Birthday to the great Barbra Streisand 💓 performing "Everybody Loves My Baby" in her television special The Belle of 14th Street (1967)
For the evening crowd: our @FilmFormally interviewer with Ernst Lubitsch biographer Scott Eyman is out today, and is on YouTube for those who prefer their podcast with animated squiggly lines: youtube.com/watch?v=QR9JBc…
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guy @guymrdth
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alice doesn't have ba.. @cinemamilf
4K Followers 808 Following that one girl who doesn't play about katharine hepburn and joan crawford's letter correspondance. @dailyhepburn
bella @frockstrap
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Happy birthday to Willie Nelson from all of us here at Nick Miller HQ! Keep on rockin, brother!
Some like it not! Later retitled Rhythm Romance (thanks to the “hot” jazz of Gene Krupa), the 1939 comedy didn’t have the same verve or irreverent wit of the movie that repurposed its title some two decades later.
@themoderns_ I'm sure it all goes a long way to explaining those occasional dunderheaded comments along the lines of, 'How come movie stars don't look like they used to?' 'Cause monochrome required a lot of lighting mastery, and there's no way many of these folks looked like that off-screen!
@themoderns_ Von Sternberg-Dietrich?
Challengers '88: Hardball
So sorry to hear Jean Simmons' younger daughter, Kate Brooks, passed away at the age of 61 last week; sending all my love to her sister Tracy as well as her other family and friends.
Love this 1933 newsreel demonstrating some of the radical new women’s pants. “To be smart, the crease in your trousers must be as permanent as the wave in your hair…”
Carole Lombard by Martin Munkácsi, c. 1937.
@decoyrobot Co-writer of 32 Short Films About Glenn Gould 😎
The Sympathizer tv show co-creator is THAT Don McKellar?
Nothing compares to those 1930s/1940s-era strings in the MGM orchestra.
Clara Bow with Martha Raye, 1937. Photographed by Hal McAlpin. From my collection.
A good day to remember Joseph Mankiewicz's bold adaptation of Guys and Dolls, and Jean Simmons's extraordinary (and wrongly unappreciated) performance in it; streaming lots of places, free: newyorker.com/culture/richar…
Nancy Carroll photographed by Cecil Beaton for Vanity Fair, 1931
Robert Mitchum, 1950s
@themoderns_ @LouLumenick A great book. Perversely, Hecht consistently denigrates his own writing for Hollywood as hack work--though he helped invent the gangster film and the newspaper film.
can i say something...
From the set of Duck Soup...
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