Philip Mould @philipmould

Art dealer, writer & broadcaster. President Plantlife & @kidsinmuseums. Whippet fancier. Co-presenter #Fakeorfortune. philipmould.com London Joined July 2010

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Philip Mould @philipmould

a week ago

Last one, somewhat belatedly, off the meadow…let the wildflowers now prosper. @Love_plants

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Philip Mould @philipmould

3 weeks ago

The importance of restoration, framing and overpaint….as we approach the end of filming #FakeOrFortune Season Thirteen. More soon.

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Philip Mould @philipmould

a month ago

Just been at the @hardrockcafelondon turning over as many rolling stones as possible to find a musical provenance.

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Philip Mould @philipmould

2 months ago

A lyrical departure for #fakeorfortune - searching for provenance of an altogether melodious kind.

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Suffolk lambs for the first time engaged in the meadow to close crop the winter grass, and pave the way for more strident wild flowers in the spring (all being well). Also the first time they’ve seen an iPhone @Love_plants

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Philip Mould @philipmould

3 months ago

The squalor of genius. Francis Bacon’s studio faithfully re-erected at the Hugh Lane Gallery, Dublin. “It’s much easier for me to paint in a place like this which is a mess. I don’t know why but it helps me”. #Fakeorfortune

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Philip Mould @philipmould

4 months ago

This compelling portrait of rain is one of those, in the deeply moving exhibition about the last year of Van Gogh’s life at Musée D’Orsay, that reminds you that VG reinvents the brush stroke. Together with Rothko (yesterday’s post) two reasons on their own to got to Paris soon.

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Philip Mould @philipmould

4 months ago

Mark Rothko exhibition at the Louis Vuitton Foundation in Paris this afternoon was enrapturing. A reminder of what a monumentally progressive master of colour and light he was.

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Philip Mould @philipmould

4 months ago

Gallery Christmas dinner at the quaint Polish Hearth Club that still retains its vintage allure.

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Philip Mould @philipmould

5 months ago

#FakeorFortune series 12 is now in full production. Analysing pigments last week ⁦@TheCourtauld⁩

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Philip Mould @philipmould

5 months ago

My friend @Lorna_May_ has unveiled affordable art collection just in time for Xmas, supporting @Themurrayparish. Prices £50 - £5000 onehundred.pictures Ships worldwide!

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Philip Mould @philipmould

6 months ago

Restorers uncover demon in a 1789 painting — and reveal the decline of superstition in the Age of Reason bworldonline.com/arts-and-leisu…

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Philip Mould @philipmould

6 months ago

Can’t recommend Frans Hals exhibition @NationalGallery more. The first old master painter to capture a bodily ‘lurch’ in his brilliantly fluid portrayals.

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TV Zone @tvukzone

6 months ago

#FakeOrFortune with Fiona Bruce and Philip Mould renewed for twelfth series by BBC One. More details: tvzoneuk.com/post/fakefortu…

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Philip Mould @philipmould

6 months ago

Great evening at the Gallery last night with Alison Lapper (@alison_lapper_mbe) Rankin (@rankinarchive) and Isaac Harvey celebrating the establishment of The Drug of Art which uses art and creativity to reach young people with mental health issues. Honoured to be an ambassador.

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Philip Mould @philipmould

6 months ago

Many thanks for all your warm comments about this year’s run of #Fakeorfortune. They are greatly appreciated by the whole team. I’m delighted to say work has now begun on series 12 for next year.

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Philip Mould @philipmould

6 months ago

Tonight's episode of #FakeorFortune? will propose an ethical dilemma with high stakes - if a work of art appears to have been covered by the artist who painted it, what is its status of authenticity? @bbcarts

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Philip Mould @philipmould

7 months ago

In some ways the most interesting authenticity issue we’ve had to approach this coming Tuesday on #fakeorfortune. A murky canvas allegedly by Arshile Gorky, the hugely valued pioneer of abstract expressionism in 1940’s. But what has happened to it? And can its owner recover it?