The Paris Review @parisreview
Quarterly literary magazine founded in 1953. theparisreview.org New York, NY Joined September 2009-
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“I read in order to write. I read out of obsession with writing.” —Cynthia Ozick buff.ly/46rNQWG
“I get invitations from stray universities across the States and I go and freak everybody out, and then I visit Anselm and Edmund and come back.” —Alice Notley buff.ly/3uV9Ls0
Our new knit blanket is a rendition of the cover of the Spring 1969 issue of the Review, which features the bold geometries of the artist Jean Dewasne. buff.ly/3QBZRlB
“It’s all the art of impersonation, isn’t it? That’s the fundamental novelistic gift.” —Philip Roth buff.ly/473TazC
Add literature to your life by signing up for our poetry newsletter to receive an archival poem to your inbox every weekday morning. buff.ly/3OKWkAJ
“There’s no right way to tell all stories, only the right way to tell a particular story.” —Tobias Wolff buff.ly/3LBVNAn
“There is only one school: that of talent.” In celebration of Nabokov, who was born on April 22, 1899, we’ve unlocked his Art of Fiction interview from the archive. buff.ly/3TA6Xc4
“Language doesn’t exist without an audience.” —Harold Brodkey buff.ly/492QCC6
“For The Namesake, I returned to a phrase I’d scribbled in my notebook during my Ph.D.—‘a boy named Gogol.’”
“The goal isn’t to be happy with my voice. What I want is simply to have one.” —Jhumpa Lahiri buff.ly/3Tg9doD
“I started hearing the dead. And I felt that, because I had some new knowledge, I had something to give people—that I had things to say that would make them feel better.” From our Art of Poetry interview with Alice Notley in our new Spring issue. buff.ly/3uV9Ls0
“There’s no difference in importance between the smallest details and the whole. What’s the difference between one drop of the ocean, and the ocean as a whole? Nothing. Nothing.” —László Krasznahorkai buff.ly/3QThyih
“My relatives say that they are glad I’m rich, but that they simply cannot read me.” —Kurt Vonnegut buff.ly/36B5VUt
“Artistic originality has only its own self to copy.” In celebration of Vladimir Nabokov, who was born on April 22, 1899, we’ve unlocked his Art of Fiction interview from the archive. buff.ly/3TA6Xc4
“Miss Marie walked out with her hands behind her back and talked about how hard we’d been working, which was a lie because I had only wrote the play in one class period.” “Social Promotion” by Elijah Bailey in our Spring issue. buff.ly/49PCE80
Shop our limited-edition interview tees, featuring photographs of Helen Garner, Samuel Delany, and Gary Indiana, accompanied by provocative quotes from their interviews in the magazine. buff.ly/3QBuBn2
This is a remarkable portrait of a type of mind and experience that it's almost impossible to imagine developing and unfolding in the 21st century. theparisreview.org/interviews/132…
"How does one find the missing character, the hidden part, the middle—where things still grow, actions remain possible, and the heart recovers its appetite?" Jenny Odell reads John Shoptaw, for this week's Review's Review. theparisreview.org/blog/2024/04/2…
“I don’t want to die. And I’m not going to.” —James Ellroy buff.ly/4aeUUaw
Each week, we unlocked from our archive stories, poems, and interviews for our readers. Sign up for the Redux newsletter to receive these pieces—by writers like Toni Morrison, Joan Didion, and Alice Munro—to your inbox every Sunday morning. buff.ly/3OKWkAJ
Literary Hub @lithub
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The New York Review o.. @nybooks
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The TLS @TheTLS
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Literary Hub @lithub
302K Followers 962 Following A daily literary website highlighting the best in contemporary fiction, nonfiction, and criticism.
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Kamran Javadizadeh @kjavadizadeh
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The New York Review o.. @nybooks
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London Review of Book.. @LRB
315K Followers 2K Following Europe’s leading magazine of culture and ideas, published twice a month.
Sophie Haigney @SophieHaigney
16K Followers 3K Following Web editor @parisreview / writing a book about collections
Fitzcarraldo Editions @FitzcarraldoEds
37K Followers 4K Following Independent publisher specialising in contemporary fiction and essays, both in translation and in the English language.
Bookforum Magazine @bookforum
61K Followers 3K Following All about books since 1994. Subscribe to our print magazine today.
Gabrielle Bates @GabrielleBates
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Jenny Croft @jenniferlcroft
19K Followers 10K Following writer | translator | friend | presidential professor @utulsa | THE EXTINCTION OF IRENA REY @BloomsburyPub @ScribeUKBooks 2024
The TLS @TheTLS
79K Followers 2K Following Weekly book reviews, essays and poetry from leading writers since 1902. Subscribe today: https://t.co/isOSavoFC0
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487 Followers 3K Following Private intellectual. Translations: @parisreview, @FourWayReview, @annuletpoetics, @azona_l, elsewhere. Tief ist der Brunnen der Vergangenheit.
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Don’t know a lot about Marian Milner, but I enjoyed David Russell on her ‘meta-diaries’ in the @parisreview theparisreview.org/blog/2024/04/1…
'The phrase “close reading” sounds as if you’re looking at the text with a microscope from outside, but I would rather think of a close reader as someone who goes inside a room and describes the architecture'
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
Ryusuke Hamaguchi @4_columns, Béla Tarr @MoviesReveal, Satyajit Ray @Gagosian, Philip Seymour Hoffman @parisreview, Joan Chen @ScreenSlate … Did You See This? criterion.com/current/posts/…
This is a remarkable portrait of a type of mind and experience that it's almost impossible to imagine developing and unfolding in the 21st century. theparisreview.org/interviews/132…
My friend VB send me this extraordinary exchange between the poetry scholar-critic Helen Vendler and the poet Rita Dove.
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
“Is there a community of which you consider yourself a part? #NABOKOV Not really. I can mentally collect quite a large number of individuals whom I am fond of, but they would form a very disparate and discordant group if gathered in real life, on a real island...”
“Anonymous pleasure hurts nobody.” In celebration of Vladimir Nabokov, who was born on April 22, 1899, we’ve unlocked his Art of Fiction interview from the archive. buff.ly/3TA6Xc4
Precis såhär känns det när man läser eller hör en dikt som verkligen träffar en på djupet!
“You don’t read or overhear the voice in the poem, you are the voice in the poem. You stand behind the words and speak them as your own.” —Helen Vendler buff.ly/3riYWOw
New Nonfiction podcast episode up with @tonytula on his @parisreview essay “The Rejection Plot" ! We talk about experiential properties of rejection, plotlessness, the delamination of an infatuation narrative from real life, entitativity, and Miss Havisham open.spotify.com/episode/14OQNM…
‘I would rather think of a close reader as someone who goes inside a room and describes the architecture’. @parisreview So sad to hear of the death of Helen Vendler whose work as a close reader (though she didn’t like the term) has always meant so much to me. #poetrycommunity
Virtuoso….R.I.P.
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
Outstanding critic.
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
Her work still informs my teaching.
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
"INTERVIEWER Do you write for a particular audience? VENDLER No, I write to explain things to myself."
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
Scenes from an Open Marriage by Jean Garnett via @parisreview theparisreview.org/blog/2022/06/2…
"INTERVIEWER Do you write for a particular audience? VENDLER No, I write to explain things to myself."
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
pour one out for the goat
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
A brilliant critic and an enormous loss. The Paris Review has unlocked Vendler’s Art of Criticism to mark her passing 👇
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
I saw Helen Vendler lecture on Keats's Ode on a Grecian Urn when I was an undergrad in *cough cough*. It was exhilarating. Have never forgotten it. Rest in Poetry.
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
Sorry to hear that Helen Vendler has died. I have a vivid sense-memory of reading her book on Shakespeare's sonnets as a student, absolutely startled by the way she'd somehow exploded a text I couldn't get my head round into something rich and magical and completely compelling.
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
"Poems are a score for performance by the reader" - H.V., in this wide-ranging interview.
We at the Review mourn the loss of Helen Vendler (1933–2024). In celebration of her life and work, we’ve unlocked her Art of Criticism interview from our archive. theparisreview.org/interviews/132…
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