Mitchell F Chan @mitchellfchan

Artist: THE BOYS OF SUMMER Winslow Homer's Croquet Challenge Digital Zones of Immaterial Pictorial Sensibility chan.gallery Toronto Joined January 2010

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Mitchell F Chan @mitchellfchan

a day ago

Live in 45 min! Talking about the capital f-word future of capital a art!! youtube.com/live/FVQ96vAoS…

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Mitchell F Chan @mitchellfchan

3 days ago

Wednesday! At the @newmuseum ! Me! speaking as part of @NEWINC ‘s DEMO2026. What one simple trick is THE FUTURE OF ART this time? I know the answer! Also I am the only person who knows, but I will tell you on Wednesday and then you’ll be in on it too.

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Mitchell F Chan @mitchellfchan

a week ago

@kdean Arsenal

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Mitchell F Chan @mitchellfchan

a week ago

@C0DYEDIS0N @0xmichalis 🤫

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Michalis Kargakis @0xmichalis

a week ago

I've been quite busy at work in the last few months. So when one of my favorite artists is doing random sketch drops, instead of quitting work and never sleeping again, I (Claude) write some code, deploy, logout, and ...... Daddy's Home by @mitchellfchan

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Mitchell F Chan @mitchellfchan

a week ago

@0xmichalis Always a pleasure to have you in the club!

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Mitchell F Chan @mitchellfchan

2 weeks ago

Introduce yourself with 6 live shows you've seen: 1. Das Rheingold (Michael Levine) 2. Die Walküre (Atom Egoyan) 3. Siegfried (Francois Girard) 4. Götterdämmerung (Tim Albery) 5. Weird Al Yankovic 6. Weird Al Yankovic again, on the tour where he played only original material and no parodies

Mack ◹◺ @mackxdav

2 weeks ago

Introduce yourself with 10 live shows you've seen: 1. Threepenny Opera (Robert Wilson) 2. Tanz (Florentina Holzinger) 3. Orlando (Katie Mitchell) 4. West Side Story (Ivo Van Hove) 5. Bride / Cinderella (Carolina Bianchi) 6. Gatz (Elevator Repair Service) 7. Symphony of Rats

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Mitchell F Chan @mitchellfchan

2 weeks ago

What a delightful surprise and honour to find The Boys of Summer written up in @KillScreen's "What to Play This Weekend" feature! killscreen.com/may-22-what-to… FWIW, Killscreen is a tremendously brilliant publication/org dedicated primarily to video games and art, and I usually try to play most of the games they feature, although I guess I'll probably's skip this week's. 😜

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Mitchell F Chan @mitchellfchan

2 weeks ago

@claracxw @drmiminguyen @nguyenwahed It's an excellent view of the tightest trousers in the biz

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Mitchell F Chan @mitchellfchan

2 weeks ago

There is only one digital artist/gallerist duo that just became champions of 2025/26. North London Forever with @drmiminguyen @nguyenwahed

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Mitchell F Chan @mitchellfchan

3 weeks ago

Mimi Nguyen واحد 🥯 @drmiminguyen

3 weeks ago

@scrptdfntsy @lennyjpg @andreasgysin 😂 I’m too much in arsenal mode now 😂

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Mitchell F Chan @mitchellfchan

4 weeks ago

@mikegee @SHL0MS @andreasgysin ty

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Mitchell F Chan @mitchellfchan

4 weeks ago

@mikegee @SHL0MS @andreasgysin Can you still buy these??

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Mitchell F Chan @mitchellfchan

4 weeks ago

OMFG I got that like 15 years ago and it was my favourite art object I owned. I was big into physical computing at the time. I listened to it every night in studio. A true masterpiece. I would buy them up and gift them to people. I gifted one to the director of the Canadian Opera Company. Absolutely beautiful composition. Thank you for putting this on my timeline.

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Mitchell F Chan @mitchellfchan

4 weeks ago

Actually, you know what? I should be fair here: it's not just "artists in this space who got a big break in 2021." The vast majority of art criticism across the board has been largely toothless, ideologically segregated cheerleading ever since I've been an artist. The past 20 years have been very bad for artists working in more "mainstream" contemporary art as well. Here's a short book (or long essay) about it published over 20 years ago, by someone who actually gave me some of the best critique I ever had in my career: monoskop.org/images/1/1e/El…

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Mitchell F Chan @mitchellfchan

4 weeks ago

truth is a lot of artists in this space who got a big break in 2021 just didn't improve. This was partially due to living in echo chambers without any critique. There was lots of incentive to make *more* work, lots of pressure to make *bigger* work, but absolutely no-one was demanding *better* work.