Erik Messerschmidt @e_messerschmidt
cinematographer California, USA Joined November 2012-
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“We did 12-16 weeks of tests for the show and we found ACES worked really well for us using the RED camera and Baselight.” Erik Messerschmidt, DP, Mindhunter Season 2. Thanks to @Dolby for a great panel today! #RED_Cinema #Baselight #Dolby #AcademyACES #IBCShow
MINDHUNTER (2017) Cinematography by Erik Messerschmidt Directed by David Fincher From "Episode 10" Explore more shots in our database: ops.fyi/ShotsDB
Lurking in the shadows is the custom RED XENOMORPH, built for David Fincher, used to shoot Netflix’s Mindhunter. Cinematographer Erik Messerschmidt discusses crafting the look for Mindhunter. Read the interview here: red.com/mindhunter
Erik Messerschmidt, ASC – it has a nice ring to it. Congrats on a well-deserved honor.
Erik Messerschmidt, ASC – it has a nice ring to it. Congrats on a well-deserved honor.
Reminder: Our next LiteGear Live conversation is with Cinematographer Erik Messerschmidt, ASC, and CLT Danny Gonzalez on April 22nd at 10:30 am PST. We’ll be discussing their work on the popular Netflix series, Mindhunter. Don’t forget to register litegear.com/litegear-live/
The ASC has formed a new Future Practices Committee to help voice concerns in this vital discussion about how production should reopen and move forward, chaired by Society members Amy Vincent and Erik Messerschmidt: bit.ly/ASCFuturePract… #TheASC
MINDHUNTER (2017) Cinematography by Erik Messerschmidt Directed by Carl Franklin Explore more shots in our database: bit.ly/2JtQeSG
Wednesday! April 22nd at 10:30 am PST Come join our next LiteGear Live conversation with Cinematographer Erik Messerschmidt, ASC, and CLT Danny Gonzalez discussing their work on the popular Netflix series, Mindhunter. To register, go to litegear.com/litegear-live/ and register!
New podcast just uploaded on MINDHUNTER stevenbenedict.ie/2019/09/mindhu… #Mindhunter is the 4th time #DavidFincher has examined serial-killers. Far from resorting to tired clichés, with the 2nd season he has again broken new ground #podcast #podernfamily #ShareAShow #podcastsWeListenTo
WATCH Behind the Look w/ Erik Messerschmidt, ASC who tells an elegant visual sensibility to the #Netflix series MINDHUNTER. We screen & breakdown pivotal shots from Season 2 of this crime thriller & discuss what it’s like to collaborate w/ David Fincher. youtu.be/SljMXrUxylE
We spoke w/ #Mindhunter cinematographer Erik Messerschmidt about expanding the show's scope in Season 2, that incredible car interrogation, a potential Season 3, and David Fincher's new film 'Mank': bit.ly/3idOmPo
#Mindhunter Season 3 Remains a Mystery, but Fincher’s Cinematographer Wants It Back bit.ly/2VEkL8e
for your consideration instagram.com/p/CCLusGYJAEx/…
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Also why the fuck are we still using blanks when it cost like 50c to add gunfire in post? If you can’t afford to make a movie safely, you shouldn’t be making it at all. #RIPHalynaHutchins
It's a repeat performance for MANK, winner of Best Cinematography for DOP Erik Messerschmidt! #Oscars
Huge shout out to my great friend Erik Messerschmidt on his beautiful Academy Award nomination for “Mank” bravo 👏👏👏👏🙌👏🙌🙌🙌🙌🙌🙌🙌. @eMesserschmidt instagram.com/p/CMcXr5lhLkp/…
All hands on deck. @DevotionMovie #SundaysFromSet
ERIK MESSERSCHMIDT!
‘Mank’ Cinematographer Erik Messerschmidt Aims For Subtle Use Of Period Technique On Old Hollywood Drama: “You Don’t Want It To Be A Parlor Trick” deadline.com/2021/01/mank-c…
Just announced! This Monday at 7:30pm ET, join MANK cinematographer Erik Messerschmidt for a free talk on his craft, the legacy of CITIZEN KANE, and the work of visualizing Hollywood’s ideas of itself. Moderated by @JDConnor. Register for free: filmlinc.org/manktalk
I'd like to point out that not only is "Mindhunter" on Netflix really very good, but former Bones gaffer Erik Messerschmidt is Director of Photography on the series and he's doing a brilliant job.
“Erik [Messerschmidt] made beautiful choices, shooting with an orange filter for darker skies, for example – and we had whole segments shot day for night that were a real pleasure to grade.” Eric Weidt, Colourist on 'Mank' bit.ly/fl_mank #baselight #netflix #mank
THE MARTIAN (2015) Cinematography by Dariusz Wolski Directed by Ridley Scott Explore more shots in our database: ops.fyi/ShotsDB
Worth Watching. 🥰Best film of the year. Today you can watch it on Netflix! It’s a delightful piece or art. @e_messerschmidt
David Fincher’s “Mank” is a reinterpretation of the legend of “Citizen Kane.” @aoscott calls it a “worthy, eminently watchable entry in the annals of Hollywood self-obsession.” It’s a NYT Critic’s Pick. nyti.ms/3mCaULx
The official poster for David Fincher's #MANK has arrived. The movie debuts streaming on @netflix December 4 after a limited theatrical release in November. Watch the trailer here: bit.ly/3dJMVpV
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A CURE FOR WELLNESS (2017) Cinematography by Bojan Bazelli Directed by Gore Verbinski Explore more shots in our database: ops.fyi/ShotsDB
THREE COLORS: RED (1994) Cinematography by Piotr Sobociński Directed by Krzysztof Kieślowski Explore more shots in our database: ops.fyi/ShotsDB
MINDHUNTER (2017) Cinematography by Erik Messerschmidt Directed by David Fincher From "Episode 9" Stream it on @netflix: buff.ly/2F8z6R6
Director of Photography Erik Messerschmidt's yellow-toned lighting in MINDHUNTER Season 1 (2017) - shot with Red’s custom Xenomorph. (source filmmakermagazine.com )
“We did 12-16 weeks of tests for the show and we found ACES worked really well for us using the RED camera and Baselight.” Erik Messerschmidt, DP, Mindhunter Season 2. Thanks to @Dolby for a great panel today! #RED_Cinema #Baselight #Dolby #AcademyACES #IBCShow
MINDHUNTER (2017) Cinematography by Erik Messerschmidt Directed by David Fincher From "Episode 10" Explore more shots in our database: ops.fyi/ShotsDB
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