Diario @cryptodiario

Gm @ethlabs_org - Let’s make Ethereum the foundational rails for the contemporary art market. Some of the most important contemporary art of our time already lives on Ethereum. These artists use Ethereum’s unique properties to create works that explore ideas, provenance, networks, and permanence in ways that simply aren’t possible elsewhere. At the same time, the $60B art market still relies on outdated infrastructure for payments, settlement, and ownership. Ethereum is uniquely positioned to modernize those rails too. I’d love to build this future together. 🙏

@RDToTheMoon Braindrops

Planting a Trojan horse with @lennyjpg in Art Basel via @TheArtNewspaper

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Truly honored to be mentioned by @manovich in his recent mapping of digital art history. The mid-90s era is so often the "missing link" between the early pioneers and today’s generative art it is deeply validating to see my work recognized in this historical canon.

Finally managed to stitch together the whole scroll, detailing all 425 Seals from SEAL (2026) at Art Basel Hong Kong Thankyou to all the collectors who supported the project, over 20 paintings were commissioned and I am excited to start making them. @ArtBasel @onkaos__ @eli_schein @redbeardnft

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had a chance to spend some time at @DatalandMuseum on opening day this weekend, the new museum of AI arts in downtown LA co founded by @refikanadol and efsun a few notes from my experience, which was lovely the space is massive it occupies roughly 25,000 square feet across five public galleries inside the ‘Grand LA’, designed by frank gehry it sits within walking distance of @TheBroad, @MOCAlosangeles, and @CalArtsREDCAT, and directly across from Walt Disney Concert Hall i think the location is an interesting part of the story as a permanent space, dataland sits in conversation with some of the larger cultural institutions in downtown LA, and for anyone excited about seeing digital and AI systems enter mainstream spaces, the geography here will probably become an important part of the museum's story the decisions inside the space are also unique zooming out, humans live and exist inside systems that are difficult to directly observe markets, ecosystems, attention, collective behavior even our own biology remains mostly abstract data can give us traces and feedback around how these systems work, but those traces have historically been difficult to visualize and understand through machine learning, generative AI, and creative data viz, @refikanadol and his team have built new representation layers that can translate otherwise invisible information into experiences that are spatial, audible, and interactive ^ these ideas become obvious as you move throughout the museum prob fair to say dataland believes that translations of complex systems should be experienced, questioned, felt, interacted with, and critiqued in order to be better understood what also feels genuinely new is that dataland, as time goes on, seemingly intends to make the museum available for other artists, scientists, AI researchers, designers, and creative technologists to develop more of this type of work with and for the general public spend any time in the museum, and it is easy to imagine future exhibitions around biology, mental states, climate systems, urban infrastructure, cultural archives, and economic behavior another decision that really stuck out to me is that almost none of the technology presents itself as technology the screens are not simply installed inside the rooms, the architecture itself functions as the display surface walls, floors, ceilings, mirrors, acoustic materials, projectors, tracking systems, ventilation, power, and speakers are so tightly coordinated that all the hardware becomes functionally invisible there are no exposed cables competing for attention, and i had difficulty finding any visible equipment racks across the exhibitions nothing really broke the immersion hard to imagine the technical lift required to plan and maintain this kind of hardware build while also navigating permitting, fire safety, accessibility, power, and circulation requirements for a public venue like in LA, so massive kudos to the team across its five galleries, dataland uses more than 1.5 billion pixels, including roughly 3,500 square feet of custom LED environments optional wearable biosensors can measure (anonymized) heart rate, skin temperature, and other electrodermal activity, allowing parts of the exhibition to respond to signals produced by the people moving through it there are also a number of other sensory surprises that feel like thoughtful extensions of @refikanadol's work itself, and i hope people get to experience these without knowing too much beforehand ultimately, a killer experience i will be going back highly recommend folks spend some time here the next time they find themselves in LA

@RogerDickerman @andreasgysin @nguyenwahed @ArtBasel @lennyjpg feeling that the market may be ignoring the fact that there's a masterpiece associated to Botanical and criminally undervalued. It's probably one of my all time favorite artworks. The public needs to know Botanical has that associated artwork as genesis

@RogerDickerman @andreasgysin @nguyenwahed @ArtBasel Crazy that Infinite Garden by @lennyjpg is barely selling when it's probably the best artwork released in 2025 and it costs less than 20 bucks. I know @nguyenwahed is presenting in Basel Infinite (Botanical) Garden as an instalation but Infinite Garden is the genesis. I got the..

On view at @ArtBasel | Infinite Garden (2025-) by @lennyjpg

'Infinite Garden' (2025-) by @lennyjpg is a collective on-chain work that transforms digital materiality through an ever-shifting botanical ecosystem on blockchain where no single moment repeats. Every collector becomes a gardener: assembling, merging, and sharing generative flowers through blockchain protocol, acquiring not static images but living digital flora in perpetual flux. Where Herzog's 'Infinite Garden' (2025-) invites individual collectors to become gardeners, the 'Infinite (Botanical) Garden' realises something of an entirely different order. It is a master work: a single living image that absorbs and synthesises the entire 'Infinite Garden' ecosystem across 1,900 collectors, 300 million flowers, and 40,000 gardening interactions incorporating smart-contract as a medium and spirit protocol agent, into one continuously evolving composition. Presented as a 2 x 2 metre floor-level LED installation, the 'Infinite (Botanical) Garden' makes the scale of collective participation physically tangible. What appears as an image is in fact a map, a real-time record of every on-chain interaction made across the contract, rendered as botanical form, with the 1,900 gardeners who came before, and with all those who will follow in the infinite collective performance. On view @ArtBasel Messe Basel Zero 10, Booth Z7 VIP days: June 16-17 Public days: June 18-21 Minting on @shape Supported by @privy_io, @0xassembly, and @spiritagents

A social sculpture on view at @ArtBasel @lennyjpg's 'Infinite (Botanical) Garden' is a master garden presented as a 2 x 2 metre floor-level LED installation, a real-time record of every on-chain interaction made across the 'Infinite Garden' contract.

Today is the day @ArtBasel x @lennyjpg + @andreasgysin Zero 10, Booth Z7

Ethereum is often discussed as financial infrastructure. But at @ArtBasel this week, we’re seeing something just as important: @ethereum as cultural infrastructure. @nguyenwahed is presenting Leander Herzog's (@lennyjpg) Infinite Garden, a living digital artwork where collectors have already planted 40k flowers through +300 million onchain interactions. For the fair, collectors can now buy using email and Apple Pay, with a wallet created in seconds (via @privy_io of Stripe) That matters - the future of digital art cannot depend on clunky onboarding, speculation, or artists having to perform for the algorithm. It needs rails that let human stories live, move and compound. As Binji Pande (@binji_x) of the @ethereumfndn says in our upcoming episode (recorded in London last week) “Ethereum may be the way we preserve the human story for the digital age”. #distribution 💐 Full episode coming soon.

Great to see the best artwork of 2025 and one of my all-time favorites getting the recognition it deserves Art Basel becoming an Infinite Garden 💐

Mimi Nguyen واحد 🥯 @drmiminguyen

a month ago

Infinite Garden by @lennyjpg

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.@lennyjpg ON A FACADE OF ART BASEL 💐💐💐💐💐💐💐💐💐💐💐💐💐

Eli Scheinman @eli_schein

a month ago

Incoming

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Lets call this a community alert 🥰🥰 But now might be a very good time to become closer acquaintanted with World Flag from our beloved @Artblocks just before @ArtBasel opens showing, well, three Smoke Flags with @fellowshiptrust. Jgx artblocks.io/collection/wor…