ZEISS Cinematography @ZEISSCine
Turning imagination into a motion picture. 🎥 Follow us #zeisscine | Imprint & data privacy: https://t.co/d2NXEnRJ8C zeiss.com/cine Joined March 2018-
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Meet Hiro Matsuki, a Japan-based filmmaker, who we had the pleasure of speaking to about how he got into filmmaking and why he decided to invest in his own set of ZEISS CP.3 lenses. Follow the link to learn more about Hiro: zeiss.ly/hiro-matsuki_c…
In our interview with DP Fredrik Wenzel, FSF he told us about his switch to large format, which, although alien to him initially, gave him the opportunity to "feel like a beginner again." Click the link for the full article: zeiss.ly/tos_lenspire
Join us at EnergaCAMERIMAGE 2022 from November 12 to 19. Get hands on with the ZEISS cinematography lenses and watch the ZEISS seminar with Fredrik Wenzel, FSF – “Triangle of Sadness.” Book your online or offline tickets here: zeiss.ly/camerimage2022
Colorist Oskar Larsson told us that one of his biggest challenges on “Triangle of Sadness” was filming the ship’s interior in the studio: “The biggest challenge was to get the captain’s dinner and the following night shots on the boat right.” Learn more: zeiss.ly/oskar_larsson_…
We spoke to 1st AC Sophia Liander about her first experiences using the ZEISS Supreme Primes and her work on the Palme d’Or-winning “Triangle of Sadness.” More about the production in her interview: zeiss.ly/supremeprimes
Meet us today from 1 pm to 6 pm at Cinema Shot in Centennial, Denver or with B&H Tools of the Trade in NYC on October 26, 27, and November 2. Get hands-on with ZEISS Cine lenses: zeiss.ly/zeiss-cinema-c…
From October 26–28, we’ll be at the Micro Salon Italia in Rome. Grab the chance to get hands-on with the ZEISS cinematography lenses, including the Supreme Prime 15 mm! Entry is free, and you can register quickly and easily online: zeiss.ly/microsalon2022…
From the big screen of the Lumière theater in Cannes to telling us about his choice to move to large format with the ZEISS Supreme Primes: DP Fredrik Wenzel, FSF on his work on “Triangle of Sadness”. Click the link for the full article: zeiss.ly/tos_lenspire
Watch the Cannes Film Festival, Palme d'Or winning "Triangle of Sadness" Now hitting the big screens! Brought to life by DP Fredrik Wenzel, FSF with ZEISS Supreme Primes. Watch the trailer here: zeiss.ly/tos_yt
For “Rapa”, DP Jose Luis Bernal chose to go with a different setup to his previous work. This time selecting the ZEISS Supreme Prime Radiance with the ARRI ALEXA Mini LF, which gave him the image depth he was looking for. Read the full article: zeiss.ly/rapa_eng
The short film “C’est LA VIE” allows NEC to promote its latest tablet whilst reaching a new audience. Find out how DP Hyogo Mitsuoka mixed his experience with the ZEISS Supreme Prime lenses whilst, for the first time, using the Supreme Prime Radiance: zeiss.ly/cest-la-vie
It looks like these two are getting ready to work. Thank you VA Digital Hire for sharing
Cine Gear Atlanta, here we come! Join us from October 7–8 at booth S111! Grab the chance to try the new ZEISS Supreme Prime 15 mm and to join our ZEISS Conversations with none other than William Wages, ASC! Secure your tickets here: zeiss.ly/registration
The Lens, the Myth, the Legend! This wonderful piece of filmmaking history has made its way “home.” Only 10 of these lenses were made, 6 of them for NASA. Kubrick used this lens to shoot the famous scene in “Barry Lyndon” that was only lit with candlelight.zeiss.ly/zeissplanar0750
Join the ZEISS Conversations, Spanish edition on September 29th with Jerónimo Rodríguez-García, AMC! Learn about his experiences using the ZEISS Supreme Prime lenses on his latest projects. Live interview will be in Spanish. Click here to register: zeiss.ly/zeissconversat…
The ZEISS 35mm Supreme Prime Radiance, with the light glistening off the T*Blue coating. Thank you to Camera Rentals Amsterdam for the great shot. Follow the link to learn more: zeiss.ly/supremeprimera…
Congratulations to @checcovarese, ASC for the Emmy Award for “Outstanding Cinematography For A Limited Or Anthology Series Or Movie” for the "Dopesick" episode “Breakthrough Pain.” Check out the other nominees and winners here: zeiss.ly/nominees_winne…
The #IBC2022, from 9 to 12 September in Amsterdam, is full of inspiring content and innovation. Come and see our entire cine lens portfolio and of course the ZEISS CinCraft Mapper! You can still register now to grab a ticket using the code IBC5301: zeiss.ly/ibc2022registr…
Exciting news! The ZEISS CinCraft Mapper gained an honorable mention at this year’s HPA 2022 Awards! We are extremely proud to gain a mention among a selection of fantastic technologies. Click the link to find out more about the ZEISS CinCraft Mapper: zeiss.ly/mapper
The winner of the ZEISS Presents: Hollyshorts Film Festival Achievement in Filmmaking and Cinematography Award is Nancy Schreiber! #HSFF2022
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Check out our recent chat with Bryce from @AJAVideo! We spoke about the Film/TV industry's many changes over the last few decades and a peek at what's ahead. Special Thanks to @ajamark and all our friends at @SmallHD, @Teradek, @WoodenCamera & @ZEISSCine! themakingof.substack.com/p/a-life-in-th…
Discover how @ZEISSCine's flagship Radiance lenses combine the best of both modern innovation and over 170 years of expertise, making them the perfect partners for S35 sensors. #sponsored #ZEISScinematography #ZEISS #ZEISSsupremeprimeradiance Read more: britishcinematographer.co.uk/sponsored-feat…
Now thru Dec 31st, get a free @ZEISSCine LWZ.3 21-100mm Lightweight Zoom with the purchase of a #Zeiss #SupremePrime lens set. #Zeiss 0% financing is avail now. For full details call us at 1-888-BAND-PRO / [email protected]
@SonyCine #Venice2 + FF @ZEISSCine #SupremePrimes avail at @Band_Pro. Get a free LWZ.3 21-100 Lightweight Zoom from #Zeiss now thru Dec 31st with the purchase of a Supreme Primes lens set. #Sony 0% 12/24 financing is avail.. 1-888-BAND-PRO / [email protected]
It looks like these two are getting ready to work. Thank you VA Digital Hire for sharing
El CinCraft Mapper de @ZEISSCine genera metadatos precisos del sombreado y la distorsión geométrica de la ópticas por cada fotograma -idóneos para composición e igualado- con unos pocos clicks, facilitando mucho el flujo de trabajo de los VFX: bit.ly/3CJSx1K
We also briefly discuss @ZEISSCine new CinCraft Mapper software and go over how to fake lens vignetting. Enjoy: youtu.be/SaXPwHsWeAY
New Episode! 🎙 A Director’s Journey with Jay Holben. Thanks Jay & to our friends at @AJAVideo, @SmallHD, @Teradek, @WoodenCamera & @ZEISSCine for their support! Jay is a director/producer, tech editor @AmericanCine, & co-author of The Cine Lens Manual. themakingof.substack.com/p/a-directors-…
Check out pages 26 and 27 for an article at @BCineMag about why we should all put all those pesky Onset Lens Grids in the trash bin! Check out my take on the amazing CinCraft Mapper from @ZEISSCine - Here's a teaser, but the link to the magazine can be found below. #vfx #zeiss
In the first of our new ‘Focus On’ guides, we’re kicking off proceedings by shining a light on virtual production (VP) - a cutting-edge filmmaking tool creating a buzz in the industry: bit.ly/3qovsKQ #filmmaking #cinematography #film #virtualproduction #filmproduction
Workingmode #doplife #cinematography @dopkunal @Sony @ChapmanLeonard1 @ZEISSCine @ZEISSLenses @ZEISSvisionUSA @servicevision @cinepl @AmericanCine
@CybelDP @SonyProUSA @ZEISSCine @LeagueOnPrime Loved this show! Especially their relationship!
@CybelDP @SonyProUSA @ZEISSCine @LeagueOnPrime I finally watched it & enjoyed it. Congrats!
@CybelDP @SonyProUSA @ZEISSCine @LeagueOnPrime Beautiful, Cybel! Really enjoying the show. You should be so proud!!
Claudia Becerril AMC AperturaDoP y Carolina Costa AMC AperturaDoP impartirán in taller de iluminación para cine. @ZEISSCine @SonyCine @SonyAlpha @AngularRentals
Some interesting comparison tests today with a client on Day 4 of our ARRI #Alexa35 BYO lenses event… - @ARRIChannel @sonyproeurope @ZEISSCine @SigmaImagingUK @cookeoptics
It’s the last day of our ARRI #Alexa35 BYO Lenses event! Huge thanks to @ZEISSCine, @cookeoptics, @SigmaImagingUK & @TVlogic for supporting, and of course to everyone who came. If you couldn’t make it, please contact [email protected] and we'll try to arrange something for you.
@ZEISSCine Nice! Longtime Milvus shooter here. The real question: where does one get one of those hats?!
Check it out! @ZEISSCine is introducing the new CinCraft ecosystem for the digital application of lens looks into the compositing and matchmoving workflows! buff.ly/3bVrVjB @ProVideo #postproduction #IBC2022
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