ReFrame Hollywood @ReFrameProject

The screen industry's gender equity coalition, founded by @sundanceorg and @womeninfilm. reframeproject.org/reframe-report Los Angeles, CA Joined January 2017

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The Hollywood Reporter @THR

2 years ago

Kristen Wiig on the lack of female-driven comedies after the success of #Bridesmaids: “People get scared. What’s wrong with having a big female cast, why is that scary?” thr.cm/WtVSsrE

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Diversity sells in Hollywood, according to a new UCLA study. "Films that embrace diversity are more likely to resonate with audiences, leading to box-office success and ultimately long-term sustainability for the industry," says Dr. @darnell_hunt. npr.org/2024/03/07/123….

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Variety @Variety

2 years ago

U.S. Viewers Overwhelmingly Want to See More TV Shows Depicting Realistic Work-Life Balance, Family Care and Gender Equity: Survey variety.com/2024/digital/n…

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Women's Media Center @womensmediacntr

2 years ago

“There are glimmers of hope for women in the 2024 #Oscars non-acting categories,” said @julieburtonwmc. “But w/ 68% of overall behind-the-scenes nominations going to men, it’s very apparent that much more work has to be done.” More insights in our report: buff.ly/3Ij6p4R

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WomenFilmmakersofColor @WomenFilmOfColr

2 years ago

ReFrame And IMDBPro Report Finds More Popular Films Were Directed by Women, But Majority Of Sets Are Far From Gender-Balanced deadline.com/2024/02/refram…

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Screen International @Screendaily

2 years ago

Toni Collette on why she works so often with women directors and first-time directors “Female stories benefit from a female director” #Qumra @DohaFilm

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ReFrame Hollywood @ReFrameProject

2 years ago

In 2023, 50% of A24 and Amazon Prime Video’s films on the Top 100 list earned the ReFrame Stamp, while Disney, Paramount, Netflix and Lionsgate each had over 30% of films Stamped. See the studio-by-studio breakdown at reframeproject.org/reframe-report

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Deadline @DEADLINE

2 years ago

ReFrame And IMDBPro Report Finds More Popular Films Were Directed by Women, But Majority Of Sets Are Far From Gender-Balanced deadline.com/2024/02/refram…

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ReFrame Hollywood @ReFrameProject

2 years ago

44% of films produced for <$15 million earned the ReFrame Stamp in 2023 – compared to the >$100 million budget level, where only 25% of films earned the Stamp. Dig deeper into the data in the ReFrame report: reframeproject.org/reframe-report

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ReFrame Hollywood @ReFrameProject

2 years ago

Despite huge box office returns from women-led films in 2023, there’s still no meaningful increase in gender-balanced hiring on film sets; only 29/100 films earned the ReFrame Stamp in 2023. Read more in the ReFrame film report: reframeproject.org/reframe-report

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Deadline @DEADLINE

2 years ago

Women-Led Films Fell Close To 30% In 2023, Near A 10-Year Low, Per Study deadline.com/2024/02/women-…

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The Hollywood Reporter @THR

2 years ago

Ava DuVernay, Andrew Haigh and Celine Song to Be Honored at 2024 Kodak Film Awards hollywoodreporter.com/movies/movie-n…

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Robert Daniels @812filmreviews

2 years ago

A reminder with regard to the Academy: only one Black woman has ever won Best Actress. Only one film directed by a Black woman has ever been nominated for Best Picture. No Black woman has ever been nominated for Best Director. The stats are grim. A lot of people are to blame.

Variety @Variety

2 years ago

Zero Black Women Have Won BAFTAs' Best Actress Category in 76 Years, So When Will They? variety.com/2024/film/awar…

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ReFrame Hollywood @ReFrameProject

2 years ago

IATSE and Low Budget Film Producers Form Working Group to Prevent Sexual Harassment on Set variety.com/2024/film/news… via @Variety

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57 years ago

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Hollywood Commission @HWDCommission

2 years ago

More takeaways from the #HollywoodEntertainmentSurvey incoming! Today we'll look at what hasn’t changed in the #entertainmentindustry since #MeToo, starting with accountability. Accountability in the workplace empowers workers to stand up, speak out & ensures everyone can thrive!

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Dionne Grant @DionneGrant

2 years ago

"You’re seeing so many Black shows get cancelled, you’re seeing so many executives – especially on the DEI [diversity, equity and inclusion] side – get canned. You’re seeing very clearly now that our stories are less of a priority... I can’t force you to make my stuff. It’s made me take more steps to try to be independent down the line if I have to.” Issa Rae on driving real representation, conquering Hollywood, and why comedy is her love language @NETAPORTER | 📷: Dierdre Lewis net-a-porter.com/en-ae/porter/a…

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ReFrame Hollywood @ReFrameProject

2 years ago

‘The Tiger’s Apprentice’ Star Sandra Oh Celebrates Increased AAPI Representation in Hollywood But Warns There’s More Work To Be Done: ‘Nothing Is Ever Finished’ variety.com/2024/scene/new… via @Variety

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ReFrame Hollywood @ReFrameProject

2 years ago

“When I was young, there were really no American women directors, maybe a few,” she said. “I didn’t think I was allowed to be a director. And that’s not true anymore.” variety.com/2024/film/news…