🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 @MaxSagara02

🎙 CASTER 👊 🌟 #StarGuardians 🌟 ⭐ ⭐ ⭐ CAMPEON DEL MUNDO 🇦🇷 18/12/2022 ⚽ 💙 Jinx ❤️🤍 Uta ☯ Han - Ravenclaw 🦅 🔥🎙Al 🎙️🔥 Ado 🖤💙 instagram.com/maxsagara02 La Nacion de Zaun Joined May 2009

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🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 @MaxSagara02

2 weeks ago

@el_eurosia @LaViseraOk JAJAJAJAJA

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🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 @MaxSagara02

3 weeks ago

@JavierWoT El mejor Animu que salio despues de Oshi no Ko, super recomendado, mejor que Frieren y la mayoria de lo ultimo que ha venido saliendo...

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🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 @MaxSagara02

3 weeks ago

@Airaasayss 51

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🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 @MaxSagara02

3 weeks ago

@ifctoto y Rigoni

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NANO-ナノ-OFFICIAL @nanonano_me

a month ago

If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO

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🇦🇷 相良 Max Sagara ⭐ ⭐ ⭐ 🎙 🔥 @MaxSagara02

2 months ago

@joe_laddo callate

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CAINDEPENDIENTE 7L @Independient_7L

2 months ago

😍 La tierna imagen que dejó un mini hincha de #Independiente en la popular.

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Orihime @Orihime_chan0

2 months ago

This animation is so cute... I can watch it forever 🥹❤️

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Abel Del Rojo 👹🔱 @Abelifc

2 months ago

Los resumenes de espn si fueran buenos:

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Hugo Ross @hugorosscl

4 months ago

la realidad es la de siempre, en la fgc alguien pone los dolares o el servicio y la gente no paga, asi nunca crecerá. increible que TNS para hacer Online le pague a 8 empleados y a perdida. cuanto amor por lo que hacen. @HadesFFGC @PipeRetrogamer @MaxSagara02 @NickDogg85DDR

Brian_F @Bri4nF

4 months ago

On the whole "TNS online killed locals" topic and offline vs. online discussion, one thing Tong touches on in the podcast is how Tampa Never Sleeps Online is a major loss leader for the company. To run online events at the scale and quality TNS does, they take on: - 8 full time