Literature and the Face: A Critical History @LiteratureFace
ARC Discovery Project - Literature and the Face: A Critical History. Tweets about: Literature, faciality, gesture & emotions and more! face.hypotheses.org Melbourne & Geneva Joined June 2021-
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Our project conference details are now live! 'Figurements: A Symposium on Literature & the Face' (27th-29th November 2024) face.hypotheses.org/figurements-a-… 👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️
Our project conference details are now live! 'Figurements: A Symposium on Literature & the Face' (27th-29th November 2024) face.hypotheses.org/figurements-a-… 👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️⭐️👁️
I'm excited to finally share the details of our culminating project event: 'Figurements: A Symposium on Literature & the Face.' 27th-29th November at @UniMelb! Registration and more details in the next few weeks. Keep an eye on things here: face.hypotheses.org/figurements-a-… 👁️👁️👁️
"...and on their faces an expression like the letters of a legend written round the base of a statue praising duty, gratitude, fidelity, love of England." — Virginia Woolf, Mrs. Dalloway (1925)
Looking forward to speaking at this splendid event on all things @LiteratureFace: Virginia Woolf, fashion & façades! 👁️
Looking forward to speaking at this splendid event on all things @LiteratureFace: Virginia Woolf, fashion & façades! 👁️
Get in touch if you'd like to know more about our forthcoming seminar at this year's Modernist Studies Association (@msatweet) conference in Brooklyn (Oct 26th-29th) on 'The Face and/in The Streets' with Dr Tyne Sumner & Prof Anca Parvulescu. Call for submissions opens in July!
Get in touch if you'd like to know more about our forthcoming seminar at this year's Modernist Studies Association (@msatweet) conference in Brooklyn (Oct 26th-29th) on 'The Face and/in The Streets' with Dr Tyne Sumner & Prof Anca Parvulescu. Call for submissions opens in July!
@tynedaile delves into how Laura Riding Jackson’s “subverts face-making, and by extension face-reading… [which] might seem to echo the prior impersonal poetic masks that underpin the modernist poetics of figures such as Eliot, Pound and Yeats.” lostmodernists.com/parts-of-a-bod…
Our second cluster was published today in collaboration with @LiteratureFace and with a wonderful introduction by @tynedaile! Read amazing articles written by @lahartvillalta, @RyanOShea42, @guytothewebster, @tynedaile, and Anna Learn!!! lostmodernists.com/category/blog-…
Our Mapping Mina Loy Studies co-organiser @JenniferAAshby was an editor on @Lost_Modernists Issue 2 on @LiteratureFace! Check it out below. Nice to see a nod to Mina Loy's Auto-Facial-Construction in @tynedaile's 'Introduction'! Image @BeineckeLibrary collections.library.yale.edu/catalog/123447…
Our Mapping Mina Loy Studies co-organiser @JenniferAAshby was an editor on @Lost_Modernists Issue 2 on @LiteratureFace! Check it out below. Nice to see a nod to Mina Loy's Auto-Facial-Construction in @tynedaile's 'Introduction'! Image @BeineckeLibrary collections.library.yale.edu/catalog/123447… https://t.co/ttqSBSZEbT
I heartily recommend those with Modernist curiosities read the latest @Lost_Modernists’s cluster of postgraduate essays in conjunction with @LiteratureFace! All are excellent pieces and were very enjoyable to peer review 👁️👃🏻🦶🏽@modernistudies @msatweet @modcultures
I heartily recommend those with Modernist curiosities read the latest @Lost_Modernists’s cluster of postgraduate essays in conjunction with @LiteratureFace! All are excellent pieces and were very enjoyable to peer review 👁️👃🏻🦶🏽@modernistudies @msatweet @modcultures
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"You see the border of her dress / Is torn and stained with sand, / And you see the corner of her eye / Twists like a crooked pin." (T.S. Eliot, 'Rhapsody on a Windy Night')
chatting about the horrified face - and horrifying facelessness - in horror cinema alongside these incredible researchers? In Geneva ?? Pinching myself. can’t wait.
chatting about the horrified face - and horrifying facelessness - in horror cinema alongside these incredible researchers? In Geneva ?? Pinching myself. can’t wait.
Our CFP is open until 30th October for a panel at next year’s American Comparative Literature Association (ACLA) conference on 'The Face and/in World Literature' (@LiteratureFace). Get in touch with me or Professor Anca Parvulescu with any q's! acla.org/face-andin-wor…
John Attridge @John_Attridge
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I'm excited to finally share the details of our culminating project event: 'Figurements: A Symposium on Literature & the Face.' 27th-29th November at @UniMelb! Registration and more details in the next few weeks. Keep an eye on things here: face.hypotheses.org/figurements-a-… 👁️👁️👁️
Looking forward to speaking at this splendid event on all things @LiteratureFace: Virginia Woolf, fashion & façades! 👁️
Registration for this year's Literary London conference is now open! We have some exciting papers, panels, and plenaries this year. You can find the programme and registration link here: literarylondon.org
I will be co-leading a seminar at this year's Modernist Studies Association (@msatweet) conference on 'The Face and/in The Streets' with Prof. Anca Parvulescu & our invited guest Prof. Rochelle Rives. Submissions due in July but get in touch if you'd like more info before then!
@tynedaile delves into how Laura Riding Jackson’s “subverts face-making, and by extension face-reading… [which] might seem to echo the prior impersonal poetic masks that underpin the modernist poetics of figures such as Eliot, Pound and Yeats.” lostmodernists.com/parts-of-a-bod…
Our second cluster was published today in collaboration with @LiteratureFace and with a wonderful introduction by @tynedaile! Read amazing articles written by @lahartvillalta, @RyanOShea42, @guytothewebster, @tynedaile, and Anna Learn!!! lostmodernists.com/category/blog-…
Our Mapping Mina Loy Studies co-organiser @JenniferAAshby was an editor on @Lost_Modernists Issue 2 on @LiteratureFace! Check it out below. Nice to see a nod to Mina Loy's Auto-Facial-Construction in @tynedaile's 'Introduction'! Image @BeineckeLibrary collections.library.yale.edu/catalog/123447…
I've loved @Lost_Modernists for a long time so was thrilled to be an editor for Issue 2 on @LiteratureFace! An exciting range of analysis engaging w/ work from Kati Horna to Samuel Beckett, May Sinclair to Rashid Jahan! See articles below. Editorial team: lostmodernists.com/about/
I heartily recommend those with Modernist curiosities read the latest @Lost_Modernists’s cluster of postgraduate essays in conjunction with @LiteratureFace! All are excellent pieces and were very enjoyable to peer review 👁️👃🏻🦶🏽@modernistudies @msatweet @modcultures
Our second cluster was published today in collaboration with @LiteratureFace and with a wonderful introduction by @tynedaile! Read amazing articles written by @lahartvillalta, @RyanOShea42, @guytothewebster, @tynedaile, and Anna Learn!!! lostmodernists.com/category/blog-…
Day 1, Visages perturbés at @unige_en
chatting about the horrified face - and horrifying facelessness - in horror cinema alongside these incredible researchers? In Geneva ?? Pinching myself. can’t wait.
We're delighted to share the flyer & program for our forthcoming collaborative conference, Disturbed Faces (Visages perturbés / Verstörte Gesichter)! face.hypotheses.org/blog
Our CFP is open until 30th October for a panel at next year’s American Comparative Literature Association (ACLA) conference on 'The Face and/in World Literature' (@LiteratureFace). Get in touch with me or Professor Anca Parvulescu with any q's! acla.org/face-andin-wor…
My new article out today in Journal of Intercultural Studies - 'Zoom Face: Self-Surveillance, Performance and Display.' DM me if you would like a copy because, well, paywall: tandfonline.com/doi/full/10.10…
Program now up for our @LiteratureFace conference here: unige.ch/lettres/littco… 👁️
Flyer for our upcoming conference: Disturbed Faces (Visages perturbés / Verstörte Gesichter) for @LiteratureFace!
John Donne, ultimate blush throw down: "...her pure and eloquent blood / Spoke on her cheeks, and so distinctly wrought, / That one might almost say, her body thought." @LiteratureFace!
I’m working across three of the database’s narrative fiction texts to read for instances of facial recognition surveillance, face reading and misreading & the intersection between literary descriptions of human & non-human faces & cultural metadata for @LiteratureFace.
Gertrude Stein’s 1938 memoir of Picasso, page 13, for @LiteratureFace
@GillianPolack @mcassidywelch @LiteratureFace Yes, sympathies. There is still a long way to go, I think. All about managing risk, and of course it's much harder for many...
@stephanietrigg @mcassidywelch @LiteratureFace I didn't know they were doing that! Bah - I could have attended!
@HortenseDAlton @stephanietrigg @mcassidywelch @LiteratureFace spewing that my plans to hang at ACU fell through. but it's still nice to see people virtually
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