Mark Olsen @IndieFocus
I write about movies, all kinds, for the Los Angeles Times + a weekly newsletter on the world of cinema in L.A. and beyond. latimes.com/indiefocus Los Angeles, CA Joined April 2009-
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In this week's newsletter: Barbra Streisand's FUNNY GIRL in 4K and female Jewish comedies Four films by Patricia Rozema + interview An interview with Dave Markey on DESPERATE TEENAGE LOVEDOLLS A tribute to Lee Chang-dong And CHALLENGERS latimes.com/entertainment-…
“Movies that deal with uncomfortable subject matter will rarely be rapturously received because you’re dealing with things that don’t make people feel safe. They’re not a soothing bath.” Nicole Kidman to @GlennWhipp on making Jonathan Glazer's BIRTH latimes.com/entertainment-…
So much to see this week in LA: The TCM Classic Film Festival Sergei Parajanov's centennial Milestone Movies of 1984 Screenwriter A.I. Bezzerides Japanese silent film narration with The Art of the Benshi latimes.com/entertainment-…
"I think everybody came into it thinking, Oh, my God, this is that problem child from the ‘Alien’ movies?” David Fincher indulges @latimes with a full history of the making of SEVEN, coming to @tcm Classic Film Festival on Friday in a new Imax version. latimes.com/entertainment-…
“It can be as profound as you want it to be.” Riley Keough, Jesse Eisenberg, Nathan Zellner and David Zellner on the practicalities, abusurdity and emotions of SASQUATCH SUNSET latimes.com/entertainment-…
Sundance Film Festival explores possibility of leaving Park City in 2027 latimes.com/entertainment-…
"You can get an Academy Award for pretending to be a stunt guy but you can’t get an Academy Award for actually being one.” @joshrottenberg with a look at how THE FALL GUY may galvanize the movement for an Academy Award for stunts. latimes.com/entertainment-…
I'll be moderating tonight's Q&A with Kirsten Johnson following CAMERAPERSON at the Aero. The movie is beautiful all on its own but also brings up all sorts of questions about documentary filmmaking & I can't wait to talk about it.
I'll be moderating tonight's Q&A with Kirsten Johnson following CAMERAPERSON at the Aero. The movie is beautiful all on its own but also brings up all sorts of questions about documentary filmmaking & I can't wait to talk about it.
I talked CIVIL WAR on the @voxdotcom @today_explained podcast!
I talked CIVIL WAR on the @voxdotcom @today_explained podcast!
Remembering Eleanor Coppola (1936-2024): director of HEARTS OF DARKNESS: A FILMMAKER'S APOCALYPSE and PARIS CAN WAIT, author of NOTES ON A LIFE, wife of Francis, and mother of Sofia, Roman, & Gian-Carlo.
"I’m going to be very honest — watching him play that role, I was like, ‘Dang, my baby is crushing this role.’" Kirsten Dunst, Cailee Spaeny & Alex Garland on how the deeply disturbing scene with Jesse Plemons came together in CIVIL WAR latimes.com/entertainment-…
So much to see in LA this week! A celebration of the midnight movie & ERASERHEAD in 35mm A new doc festival with a thrilling lineup of guests 15 years of the American Genre Film Archive Plus SASQUATCH SUNSET, THE PEOPLE'S JOKER & CIVIL WAR latimes.com/entertainment-…
On the inspirations & practicalities of the Los Angeles-set scenes in Bertrand Bonello's THE BEAST - shooting only two days in L.A. with no permits & Léa Seydoux doesn't drive. latimes.com/entertainment-…
“I thought it was a perfect ending to the film. It’s the relationship between technology and humanity, or technology and the loss of humanity... You have this QR code, which has no feelings at all.” Bertrand Bonello on the QR code credits to THE BEAST latimes.com/entertainment-…
L.A. movies from Kim Gordon & Rachel Kushner talk @lafestivalofmov: Model Shop/Zabriskie Point/The Exiles/Car Wash/The Loved One/Foxes/Body Double/The Long Goodbye/A Woman Under the Influence/My Brother’s Wedding/American Gigolo/Play It As It Lays/Faster, Pussycat! Kill, Kill!
There is a lot happening in L.A. this weekend, but Bertrand Bonello is at a few shows for THE BEAST.
There is a lot happening in L.A. this weekend, but Bertrand Bonello is at a few shows for THE BEAST.
"We're always aspiring to, and will always fail, to make THE MUPPET MOVIE." Bill Ross IV & Turner Ross on their joyous GASOLINE RAINBOW after Friday's @lafestivalofmov west coast premiere.
This week, a lost gem from Charles Burnett found as part of UCLA's Festival of Preservation New discoveries at the Los Angeles Festival of Movies Two of the best new releases of the year so far in THE BEAST and LA CHIMERA Plus Melville's LE SAMOURAI in 4K latimes.com/entertainment-…
"She had come to the conclusion that life was a random event... It terrified her how big a part chance played in it all & how much it helped to be lucky. Best not to dwell on it." If COUP DE CHANCE does end up being Woody Allen's last film, these will be the words he goes out on.
Kirsten Dunst and Cailee Spaeny on the nightmarish ‘Civil War’: ‘No nation is immune’ latimes.com/entertainment-… @IndieFocus
Guy Lodge @GuyLodge
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2K Followers 12 Following Located inside The Vista Theater 4473 Sunset Drive, Los Angeles, CAMr. Mark Potts @mrmarkpotts
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5K Followers 4K Following I'm @JenniOlsonSF everywhere | Senior Director, Social Media Safety @GLAAD. LGBTQ film expert & online pioneer. Maker of @RoyalRoadMovie, etc. Opinions = mine.Emily Longeretta @emilylongeretta
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2K Followers 1K Following Moving-image archivist. M.A. from UCLA-MIAS (portfolio at https://t.co/PYIuIULsO9). I specialize in obscurities, cinematic and otherwise.Noah Goldberg @Noah__Goldberg
9K Followers 2K Following breaking news for @LATimes | formerly Brooklyn federal and state court reporter for @nydailynews | [email protected]40 years ago Lux Interior and Nick Cave - giving their best mischevious looks - backstage at Perkins Palace in Pasedena when Nick Cave and the Bad Seeds opened up for The Cramps on June 22nd, 1984. 📸 by Chris Amouroux #punkrock #nickcave #luxinterior #history #punkrockhistory
Look fwd to the dialogue here. Surprised frequently by the # of folks who don’t realize PGA is not a union. (Producers have no credit protection, no wage minimums, no pension, no healthcare; on each film we must write appeals to prove we did our jobs bc credit proliferation)
Producers United Is Launched By 86 Top Film & TV "Career Producers" To Change Fee Structure, Get Health Benefits & Stop Gradual Ecosystem Erosion deadline.com/2024/04/movie-…
Thanks Jane! You’re the best!
Before we share I SAW THE TV GLOW writer-director Jane Schoenbrun's (@sapphicspielbrg) full closet video, please enjoy this shout out to a cult favorite film now playing on @criterionchannl! 😎
Great interview with Patricia Rozema by @IndieFocus of @latimes in advance of this weekend's retrospective of her work at @AcademyMuseum, @UCLAFTVArchive & @hammer_museum... and check out this photo of Rozema and Paul Schrader as students! Read more: latimes.com/entertainment-…
This score is everything. Jay's work is truly special and working with Attacca Quartet was a dream.
The #WeGrownNow soundtrack is out today alongside the film’s expansion into theaters nationwide! A tender coming-of-age story set in Chicago’s Cabrini-Green neighborhood, #WeGrownNow features a vibrant original score composed by @jaywadley, performed by the @AttaccaQuartet 🎼
Randall Emmett was set to direct a Sylvester Stallone action movie under the name “Ives.” But just as shooting got underway, the name was banished from the production record. He was replaced, at least on the call sheet, by a 63-year-old convicted felon. latimes.com/entertainment-…
On the day before our film's release, I wanted to thank @Lilfilm for executive producing "The Feeling That the Time for Doing Something Has Passed" & being a champion of my work. I don't know anyone kinder...thank you for helping me get my 1st feature fiction film off the ground!
Unifrance is overwhelmed with sadness to learn about the passing of #LaurentCantet, at the age of 63. 😢 The acclaimed director won the Palme d'Or in 2008 with "The Class". Unifrance, with whom Laurent Cantet travelled numerous times, shares the sorrow of his family and…
Happy 38th b-day to Hal Ashby's 8 MILLION WAYS TO DIE. It's a bruised & boozed minor masterpiece of sleaze & salvation, not in spite of its recklessly freewheeling pub crawl through neo-noir's genre tics, but *because* of it. I wrote about it for @BWDR: brightwalldarkroom.com/2022/11/30/i-l…
“‘White Room’ is a suburban gothic fairy tale, a work of dark, conflicted magic that might have been cut from ‘Blue Velvet’ by Edward Scissorhands.”—Washington Post. Patricia Rozema’s restored film screens Sun 4/28, 7 p.m. w/ the director in person. Free! ucla.in/4bcBvYw
In advance of her AFI Lifetime Achievement Award, Nicole Kidman spoke with our @GlennWhipp about the making of 2004's BIRTH, a watershed moment for her. (Director Jonathan Glazer calls working with Kidman "like watching a trapeze artist on a high wire.") latimes.com/entertainment-…
Great tributes from some of my favorite directors. Nicole is truly a peerless artist and working with her on DESTROYER was profoundly inspiring. She’s also a lovely and decent human who deserves this and all awards. Congratulations to Our Nic!
Nicole Kidman is receiving a life achievement award from the American Film Institute this week. Five filmmakers discussed what makes her work so singular. nyti.ms/3UuEcz3
Talked with one of Bob Dylan's all-time greatest sidemen, and it's my fave interview I've done in a long while. Larry Campbell is the sweetest and coolest guy and I wish he was my dad. (This is a FREE episode btw.)
The LARRY CAMPBELL Interview @Steven_Hyden sits down with a Never Ending Tour legend to go deep on his history with Bob Dylan free and unlocked today on Never Ending Stories