Heinali @Heinali

Booking: [email protected] Commission/licensing: [email protected] linktr.ee/heinali Joined June 2009

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Heinali @Heinali

a week ago

High context languages are the best!

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It is precisely the unrelatableness of the past, the negativity of it, the difference of it, the rare and precious encounter with the Otherness it offers that is interesting and significant about it in our culture of sameness and positivity.

ScreenTime @screentime

2 weeks ago

Christopher Nolan has explained why everyone in The Odyssey has an American accent “What I wanted to do with this film was really take a modern audience and throw them into a very relatable world"

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Dr.ファンクシッテルー @DrFunkshitteru

2 weeks ago

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Heinali @Heinali

2 weeks ago

今日は日本語で注文をすることができましたから、うれしいです。ベルリンのOKAおにぎり屋で（実はめっちゃおいしい)、サウンドチェック前に。店員さんは丁寧で優しかったです

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Heinali @Heinali

a month ago

Which way Western Man?

philosophy memes 🔗 @philosophymeme0

a month ago

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Heinali @Heinali

a month ago

The same will happen with AI. An artist will have no say in these negotiations. They will be led by those having the greatest leverage. I just hope it happens before the music industry, as financially unsustainable as it has become for me and most professional artists, collapses.

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Heinali @Heinali

a month ago

This disruption is not new: the printing press, the advent of music recording, then radio and TV, the Internet and streaming, have led to renegotiations of what intellectual rights mean and how they should be compensated in the new economies formed by emerging technologies.

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Heinali @Heinali

a month ago

I have no issues with someone training their LLMs on my works. I am not a Luddite. However, when the trained model is then used to generate income that is not shared with copyright owners, whether through royalties or music licenses, I do not see it as a fair business practice.

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Antiñanco 🇨🇱 @homocommunism

a month ago

If youre struggling to see AI as anything other than a monstrosity may I suggest this book: there’s a high chance you have completely digested the west’s apocalyptic look on technology and the future of the world. anxiety and fear of AI is not universal. In fact, it’s an outlier

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Heinali @Heinali

a month ago

Music sterilised by streaming is the same process. The erotic negative experience of music discovery — buying a CD in a store not knowing how it sounds and if you will end up liking it, turns into a safe positive feedback loop of algorithm recommendations aligned with your taste

Heinali @Heinali

a month ago

It's just capital simply reterritorializing sex and relationship from the sacred to the transactional. Consent is the contract. Its value, once immeasurable, is now reduced to a sterile exchange of pleasure, stripped of all negativity, risk, and therefore, eroticism.

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Heinali @Heinali

a month ago

ℜ𝔞𝔢 @dystopiangf

a month ago

A lot of women seem to have magical, alchemic notions of consent & desire. Without consent, sex is the most sacred of acts, a violation of which is worse than murder. But upon the granting of consent, sex loses all of its sacred character, becoming entirely ordinary & casual; a

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"Guru Larry" Bundy Jr @LarryBundyJr

2 months ago

An automated A.I. WWE news channel on YouTube tries to pronounce "WWE" as a word and ends up going insane!🤣

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Heinali @Heinali

2 months ago

Music doesn't help either. It sounds like an AI hallucinating a stream of Mick Gordon-inspired Doomcoresqueness, intermingled with out-of-place stock music cutscenes, revealing a lack of comprehension why and how Mick's music worked.

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Heinali @Heinali

2 months ago

never revealed the Necronomicon: it is the mystery of the lore-based narrative that tantalises the imagination, making players work alone in darkness, stumbling upon scattered scraps of lore and hints to come up with their own story, always incomplete, with enigma at its heart.

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Heinali @Heinali

2 months ago

Mixed feelings about Doom: The Dark Ages. Gameplay-wise, it feels like a proper Doom, and it is still fun. Demon design is decent. However, apart from the usual contemporary games blights — hand-holding and overexplaining (god forbid,

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Heinali @Heinali

2 months ago

Man legt sich nicht mit der Künstlersozialkasse an

SILENT BRIEF @SilentBriefHQ1

2 months ago

German KSK operators demonstrating a hostage rescue, 2016

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Heinali @Heinali

2 months ago

gives it a ghostly, eerie, threatening quality. It often appears to us as sourceless or source-agnostic, acousmatic event, as if it were bringing itself into being without the need for an external subject.

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Heinali @Heinali

2 months ago

shaping our relationship with it not as a being in itself, but as an expression of a specific source. Japanese, however, captures both the ontology and phenomenology of sound more truthfully. Unlike visual media, sound is notoriously difficult to map—a characteristic that

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Heinali @Heinali

2 months ago

The Japanese oto ga suru (音がする) literally translates to 'the sound does' or 'the sound is doing the work of being'. While it is usually translated into English as 'I hear a sound', the underlying metaphysics are entirely different.