ArchivesAmericanArt @ArchivesAmerArt
The world's preeminent resource dedicated to collecting and preserving the papers and primary records of the visual arts in America. https://t.co/oHrluJeUFI aaa.si.edu/articulated Washington, DC Joined August 2010-
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From the Archives of American Art Journal, read “Martha Jackson’s Voice: Gender, Oral History, and Art-Historical Evidence” to revisit a 1969 interview with gallerist Martha Jackson. ow.ly/cc1V50Qaot5 @ArchivesAmerArt
The finding aid to the Cranmer Art Group records is now online! The records contain client files and photographs that document the professional activities of art conservator Dana Cranmer and her studio. View the finding aid here: s.si.edu/3MJkzih #FindingAidDay
The newest issue of our journal features “Weaving Abstraction,” a suite of original paper weavings by artist Wendy Red Star (Apsáalooke) that were inspired by the art and words of abstract painter Joan Mitchell. For more: s.si.edu/AAAJRedStarArt… #SmithsonianNAHM #WendyRedStar
The finding aid to the papers of sculptor Louise Bourgeois are online! Included are clippings, exhibition announcements and catalogs, a menu, meeting notices, and copyprints of photographs taken by Bourgeois. View the finding aid at s.si.edu/3QDcahO #FindingAidDay
Octavio Medellin (1907-1999) was a Mexican sculptor of Otomi heritage who worked in Texas. A finding aid to the Octavio Medellin papers is available at s.si.edu/3u0P5hm #SmithsonianNAHM #NativeAmericanHeritageMonth #LatinoArtists #NativeArtists #Otomi
Born #OnThisDay in 1887, Georgia O’Keeffe had little interest in painting subjects deemed suitable for women, such as still lifes. Instead she experimented with abstraction, immersing herself in the hothouse of American modernism. Image: @ArchivesAmerArt s.si.edu/3GkoXB3
How are the Colin de Land, the gallery space Four Walls, and a Claudia Schiffer calendar connected? In more ways than you think! Read more in our latest blog post, Colin de Land, Four Walls, and A Supermodel’s Autograph: “Claudia Schiffer Day,” 1994: s.si.edu/3QXK6Hc
Ralph Higbee held the titles of design assistant, studio manager, studio director, head of production, and weaver over the 23 years he worked with Dorothy Liebes. Higbee often worked on architectural projects that used his ability to handle heavier and larger-scale designs.
📣 The finding aid to the Emily A. Francis papers is now online! 🎉 The papers include organizational records for Contemporary Arts and Collectors of American Art, Inc. in New York. View the finding aid at s.si.edu/3udnkC0 #FindingAidDay
Thank you to all the veterans who have served our country. Happy Veterans Day! #ThankYouVeterans #VeteransDay #VeteranArtists 📷: Sam Francis painting in his room at Ft. Miley Veterans Hospital, San Francisco, Calif., 1946. Betty Freeman papers, 1951-1969.
Celebrate #NativeAmericanHeritageMonth with the latest episode of our #ARTiculatedPodcast: “A Class by Themselves: Joe Feddersen, G. Peter Jemison, and the eternal futures of Native American art." To listen: s.si.edu/ARTiculatedS3E… #SmithsonianNAHM 📸: @SmithsonianNMAI
Meet Josh T Franco, our head of collecting! View more of Josh's favorite collections items in our exhibition, Staff Picks: Our Favorite Items from the Collection, which Josh co-curated. Open now in the Donald W. Reynolds Center for American Art & Portraiture.
Check out the digital exhibition link below, featuring photographs from the Archives of American Art's Emma Amos papers and Dorothy Liebes papers. You can also learn more about Emma Amos through our podcast: s.si.edu/ARTiculatedS2E…
Check out the digital exhibition link below, featuring photographs from the Archives of American Art's Emma Amos papers and Dorothy Liebes papers. You can also learn more about Emma Amos through our podcast: s.si.edu/ARTiculatedS2E…
📣 NOW ONLINE: The finding aid to the papers of lithographer and teacher, Emil Weddige, who worked primarily in Ann Arbor, Michigan. Weddige studied under Morris Kantor at the Art Students League and Emil Ganso in Woodstock, NY. 👉🏽 s.si.edu/45Sg5fX #FindingAidDay
📣 The finding aid to the papers of artist Anna Campbell Bliss is now online! 😄 The papers document Bliss' career as an architect and artist, involvement with several professional organizations, and time spent giving color theory lectures. s.si.edu/40di65b #FindingAidDay
#OTD in 1905, Lois Mailou Jones was born! 🎂 Jones was an artist and professor of design and watercolor at @HowardU from 1930 to 1977. Her story has been told in the @americanart Drawn to Art comic, “Behind the Mask,” illustrated by Aleyah Lyon from @RinglingCollege.
Read the full interview transcript of Dr. David Driskell's 2009 Archives of American Art oral history interview: s.si.edu/3sjpY8W
Read the full interview transcript of Dr. David Driskell's 2009 Archives of American Art oral history interview: s.si.edu/3sjpY8W
First #NativeAmericanHeritageMonth artist highlight: Wendy Red Star (Apsáalooke (Crow)) In her 2021 oral history (s.si.edu/RedStarOH21), she discusses her family, animals, repatriation, her journey working with multiple media, and more. #SmithsonianNAHM #NativeArtists
👻 Do the spirits of the dead roam the Earth? This picture would have you believe so. See this double exposure from Charles Mahoney’s photos at the Archives, and decide if you believe the spirits walk among us. #HappyHalloween🎃 For more from Mahoney: s.si.edu/Mahoney
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November 20, 1911- A letter from Eugenie Frederica Shonnard to John and Jane Bigelow. Shonnard was an American sculptor and painter. In the letter, she thanks the Bigelows for a basket of fruit she received. @ArchivesAmerArt
love letter from 1913 that opens up to form an art gallery Image courtesy of the Archives of American Art, Smithsonian Institution
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Born #OnThisDay in 1887, Georgia O’Keeffe had little interest in painting subjects deemed suitable for women, such as still lifes. Instead she experimented with abstraction, immersing herself in the hothouse of American modernism. Image: @ArchivesAmerArt s.si.edu/3GkoXB3
📸 3. A page from Dorothy Liebes’s address book listing the studio personnel along with their addresses and birthdays, including Ralph Higbee, who lived a few blocks from the Liebes studio; Dorothy Liebes Papers.
📸 1. Dorothy Liebes (left) and Ralph Higbee (right) reviewing yarns to be used in a project for pile rugs ca. 1964; From Irv Leos, “Dorothy Liebes: Idea Factory,” Modern Floor Coverings, February 1964; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution.
Tap the link in our bio to learn more about Higbee and other studio employees in the digital exhibition of "A Dark, A Light, A Bright: The Designs of Dorothy Liebes": exhibitions.cooperhewitt.org/dorothy-liebes… @ArchivesAmerArt
Higbee was the only member of the original San Francisco team to relocate to New York City. He remained Liebes’s studio manager until her death and was responsible for placing examples of her work in museum collections across the country.
📸 2. Dorothy Liebes with studio weavers, including Ralph Higbee (front right), working on an extra-wide loom for woven blinds and screens in Liebes’s East 63rd Street studio, New York City, circa 1963; Dorothy Liebes Papers.
Ralph Higbee held the titles of design assistant, studio manager, studio director, head of production, and weaver over the 23 years he worked with Dorothy Liebes. Higbee often worked on architectural projects that used his ability to handle heavier and larger-scale designs.
#LGBTQ History 5. b. Nov. 8, 1883, Charles Demuth, Lancaster, PA, artist with watercolors and oils, style called Precisionism, known for “I Saw the Figure 5 in Gold,” many homoerotic gay themed works, e.g., “Three Sailors on the Beach” & “Dancing Sailors.” d. 1935
Precision in pinstripes and painting. . . #HappyBirthday to Charles Demuth, born today in 1883. #No5 s.si.edu/2zuinEC
"Definition- Dynamic: KPOW! WHUMP! TAKKA TAKKA TAKKA! VAROOM!!!" 100 years ago #OnThisDay in 1923, Roy Lichtenstein, leading figure in Pop Art, was born. The Archives of American Art will be acquiring Roy Lichtenstein's papers. #RoyLichtenstein #BTD #OTD #PopArt
👻 Do the spirits of the dead roam the Earth? This picture would have you believe so. See this double exposure from Charles Mahoney’s photos at the Archives, and decide if you believe the spirits walk among us. #HappyHalloween🎃 For more from Mahoney: s.si.edu/Mahoney
Today for #NativeAmericanHeritageMonth we are spotlighting Cherokee artist #LeonPolkSmith. 💡🎇 Leon Polk Smith grew up on Chicataw and Chocksaw lands and is known for his abstract, geometric painting. Learn more: s.si.edu/PolkSmith #SmithsonianNAHM #NativeArtists
First #NativeAmericanHeritageMonth artist highlight: Wendy Red Star (Apsáalooke (Crow)) In her 2021 oral history (s.si.edu/RedStarOH21), she discusses her family, animals, repatriation, her journey working with multiple media, and more. #SmithsonianNAHM #NativeArtists
Read the full interview transcript of Dr. David Driskell's 2009 Archives of American Art oral history interview: s.si.edu/3sjpY8W
New Raymond Cummings: A 2018 Weisman Art Museum interview with installation artist Robert Irwin vs. a 2009 Smithsonian Archives of American Art interview with artist and art historian Dr. David Driskell. splicetoday.com/pop-culture/th…
#OTD in 1905, Lois Mailou Jones was born! 🎂 Jones was an artist and professor of design and watercolor at @HowardU from 1930 to 1977. Her story has been told in the @americanart Drawn to Art comic, “Behind the Mask,” illustrated by Aleyah Lyon from @RinglingCollege.
Check out the digital exhibition link below, featuring photographs from the Archives of American Art's Emma Amos papers and Dorothy Liebes papers. You can also learn more about Emma Amos through our podcast: s.si.edu/ARTiculatedS2E…
Dorothy Liebes hired artist Emma Amos for her color sensibility. Amos’s talents shine in her designs for Bigelow Carpets, one of the studio’s most lucrative contracts. Explore "A Dark, A Light, A Bright: The Designs of Dorothy Liebes": s.si.edu/49ok7zK @ArchivesAmerArt
Meet Josh T Franco, our head of collecting! View more of Josh's favorite collections items in our exhibition, Staff Picks: Our Favorite Items from the Collection, which Josh co-curated. Open now in the Donald W. Reynolds Center for American Art & Portraiture.