Jerry Goo @JerryKn

La batalla está por comenzar. Además, al ingresar a tu función de Bleach: Thousand-Year Blood War – The Calamity, podrías recibir un póster aleatorio de regalo. 🎁 No te lo pierdas este 25 de junio en Cinemex. Compra tus boletos: ir.cinemex.com/bleach_calamit…

¡La cita es en Cinemex! Disfruta "hololive English 4th Concert: Serendipity" junto a otros fans y vive la experiencia del Live Viewing en la pantalla grande. 📅 3 y 4 de julio.

Tweet edgy ⚠️ Gracias @TigresOficial 💛💙 por valerte madres y tener el CET como un potrero: A equipos que protegen a delincuentes sexuales ni agua. Que se vayan ALV Kaisyu Sano, el de la foto de perfil del citado y todos los agresores sexuales. #KaisyuSano

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57 years ago

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being an adult is looking at your 35 installed games on your desktop and deciding you're too tired for anything other than a youtube video

It was all going to plan until instincts took over… Rip The Script

Nerissa x Elizabeth x Utena opening cover youtube.com/watch?v=ERPLo_…

@kikamx_ Jajaja es IA, pero si se tuvieron que chutar un rato de tráfico

@LuisDayo_ Feliz cumpleaños mi Qoo, pásatela bien chingon y con muchas monas chinas!

This why theres so many insecure anime fans out there, they are surrounded by violent retards like this and have to pretend to not be "weird" to avoid being treated as a pedo for liking Madoka lmfaooo

日本かぶれクルー @The_Weeb_Crew

a week ago

"Anime is mainstream, too many normies like anime now!" Normies:

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El 25 de junio comienza una nueva batalla ⚔️ No te pierdas de Bleach: Thousand-Year Blood War – The Calamity en Cinemex.

@marmotmx Japoneses siendo japoneses, tengo traumas con su Ho-Ren-So 💀

Crunchyroll commissioned MACROSS character designer Risa Ebata to draw Amber Glenn and Alysa Liu as anime characters and they look gorgeous!

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Amber Glenn was drawn by Risa Ebata, the illustrator of 'MACROSS'!

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Alyssa Liu drawn by 'MACROSS' illustrator Risa Ebata!

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Mexico paid $20 million for eight minutes in this movie. Then those eight minutes forced them to invent an entire cultural tradition. Before Spectre, Mexico City had no Day of the Dead parade. The holiday was celebrated at home, at cemeteries, with family altars. Quiet, intimate, centuries old. Sam Mendes fabricated a massive street parade for the opening sequence, shot it with 1,500 extras in skeleton costumes across the Zócalo, and audiences worldwide assumed they were watching a real annual event. Mexico's government had negotiated hard for the placement. Leaked Sony hack emails showed officials offered up to $20 million in tax incentives for four minutes of positive portrayal. Sony was drowning in a $300 million budget. The deal included script changes: the Bond girl had to be a Mexican actress, the villain could not be Mexican, and the city's modern skyline had to appear on screen. Then the movie opened in 182 countries and tourists started booking flights to Mexico City for the parade. The parade that did not exist. Tourism authorities panicked. Visitors were arriving expecting the spectacle they saw in the film and finding nothing. So in October 2016, the government spent $500,000, hired 650 volunteers, built dozens of floats and giant skeleton marionettes, and staged the first real Día de los Muertos parade in Mexico City's history. 250,000 people showed up. They openly called it a "Spectre-style parade" in press materials. Ten years later, the parade draws millions. Anthropologists call it the "pizza effect," where a cultural element gets exported, transformed abroad, and reimported as authentic. Mexico's most famous public celebration of its most sacred holiday was invented by a British director shooting a $300 million spy movie. That tracking shot is doing more for Mexico City's economy every November than the $20 million they paid for it.

cinesthetic. @TheCinesthetic

2 weeks ago

The opening of Spectre (2015) is so good it almost tricks the brain into thinking the entire movie is about to be a masterpiece. That Día de los Muertos tracking shot through Mexico City is pure Bond flexing for five straight minutes.

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En efecto hice puros corajes con los pinchurrientos premieos de Crunchyroll de Anime. Otra vez puro pinche chonen chaqueton ganando todo. Me disculpan pero mejor nueva serie Gachiakuta perros? Y mejor animación zzzzzolo leveling? Que no se note la promoción descarada jajajaja

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Cualquiera de estos es mejor anime que los regalos que se dio solito el organizador de los premios. Impresionante que la segunda plataforma de anime más grande del mundo (porque Netflix ya es la primera tristemente) no premie lo mejor, sino lo que quiere hacer popular a fuerza.

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MARKING NEW GROUND in Monterrey Mexico! #MWAM_WORLDTOUR2026

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メキシコ🇲🇽Monterrey！指定席だったんだけどめちゃ広いホールで、全員総立ちの大合唱！My Heroでヘドバンしたり、クラップもアンコール呼ぶ声も今まで聞いたことないぐらいの盛り上がりでした！現地のファンの方々にたくさんお土産いただいた♡クオリティ高いしみんなの愛がすごい！感動した🥹

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A Foreigner’s Guide to Japanese Concert Tickets Yesterday’s Nano post caused a lot of discussion, and one of the biggest concerns people brought up - right after regional restrictions - was how difficult it is for foreigners to buy concert tickets in Japan. A lot of people mentioned the recent Arashi situation as one of the worst examples of how inaccessible the system can feel for overseas fans. Since I’ve gone through the process multiple times myself, here’s a short guide that may help other overseas fans. To buy tickets in Japan as a foreigner, you basically need 3 things: - A Japanese phone number - An account on Japanese ticketing services - A way to pay with a Japanese-compatible card The good news is: all of these problems can be solved either during a single trip to Japan, or with help from a friend/family member visiting Japan. First: the phone number. The easiest option is getting a SIM/eSIM from services like Hanacell, Sakura Mobile or Mobal. Important: it MUST include an actual Japanese phone number, not just mobile data. Some newer eSIM options can even be shipped internationally to selected countries (sadly not Poland yet). Providers using Docomo infrastructure — like Sakura Mobile and Mobal — also support roaming, meaning in theory you can still receive SMS verification codes and calls in your home country while keeping your Japanese number active. Once activated, just insert the SIM/eSIM into your phone and you’re ready for SMS verification. Next step (registration): registering on ticketing platforms. The most important ones are: Ticket Pia eplus Lawson Ticket (L-Tike) TIGET Most concerts in Japan use lotteries, while some are first-come-first-served sales. Payment compatibility is often the hardest part. eplus usually accepts Revolut cards, but the others can be inconsistent. That’s where ANA Pay becomes extremely useful. If you create an account with ANA, you can activate ANA Pay and generate a virtual Japanese card for ticket purchases. You can top it up like a prepaid card using foreign Mastercard cards. Once you have all of this set up, there’s nothing stopping overseas fans from entering lotteries and buying tickets legally under their own information - no scalpers, no shady middlemen. The Japanese ticketing system is absolutely frustrating at times, but it’s far less impossible than many people think. Hopefully this helps more overseas fans enjoy Japanese concerts properly and without unnecessary stress. Thank you @nanonano_me for opening this discussion. I genuinely hope more overseas fans will be able to support Japanese music and artists properly, and I’m happy to help however I can.